Acapella's second story


ericthecableguy
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ericthecableguy
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02/08/2007 3:16 am
Funny thing...a couple months ago at band practise, we decided my solo album would be called erics ego waffles.

The story. I think it could use some more development in getting the reader to hate richard. I could get really into it. I don't know...maybe I would have had a buch of thoughts festering in the guys head, which come to a climax as he attacks richard. I also maybe might not have painted richard as a slob. I'd make him all proper and snooty...Anyways, this could be a really good story with a few tweaks. Kudos.


The worst thing about him wasn’t that he thought so highly of himself. The worst thing is that everybody did. Somehow I was the only one who could see through him. It wasn’t even a matter of seeing through him, just seeing him. They all saw him as a leader, because he made it very clear that he was superior to them. He definitely stood out. He made sure that everybody knew that he was English, and he only wore suits. Red suits, God knows why. They were always red, and always…puffy.

Ha, all i can think of here is Austin Powers.
For life is quite absurd and death's the final word, You must always face the curtain with a bow
Forget about your sin - give the audience a grin
Enjoy it - it's your last chance anyhow.

METOOB
# 1
acapella
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acapella
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02/08/2007 9:05 pm
Originally Posted by: ericthecableguyThe story. I think it could use some more development in getting the reader to hate richard.


That's funny, I think you're the only person to say that. Why don't you hate him?

I also maybe might not have painted richard as a slob. I'd make him all proper and snooty...


Well, I think that Richard being a slob in secret and nobody (including Richard) knowing about it except the main character is an integral part of the story. Hell, maybe he isn't even all that bad, maybe the main character has just gotten to that point where he percieves things that way. To draw a paralell with another relationship, a man and a woman who are married can start out great but over time all the little annoying habits add up in each others minds and they end up hating each other for the smallest reasons, like "he brushes his teeth too loud" or "she plays with her fork when I talk to her at dinner". You see the effect I'm trying to create here? Obviously Richard and the main character didn't start out great or anything, but the point is things built up over time, and this is one way of showing that. Remember, all you're getting here is the perspective of the main character. You have to draw your own conclusions from that. The main character isn't necessarily always the good guy, but the point is to make you see things his way. Do you see a better way I could do that in this case?
You go outside and practice screaming. We'll play music while you're gone.
# 2
Jolly McJollyson
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Jolly McJollyson
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02/08/2007 10:53 pm
I didn't hate him that much either. We all knew the narrator hated him, but he wasn't but so unbearable. Be careful not to make him a caricature, though.
I want the bomb
I want the P-funk!

My band is better than yours...
# 3
hunter60
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Joined: 06/12/05
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hunter60
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02/09/2007 12:01 am
Originally Posted by: Jolly McJollysonI didn't hate him that much either. We all knew the narrator hated him, but he wasn't but so unbearable. Be careful not to make him a caricature, though.



Jolly's right. I didn't really hate Richard as much as appreciated the fact that the narrator despised him. Which, as you point out, is a cummulative effect. Somewhere up^ there someone said that it's like a couple. Perfect example. Most, and I stress most, people are deeply in love when they marry but over time, if things are not addressed, they build ... and build ... and build to the point where it all comes rushing forth in a foamy hate that consumes any love that may remain. Same thing here. I doubt the narrator hated Richard enough to kill him for any of those things that busted on his nerves but when it all added up AND Richards refusal (or density for that matter) to acknowledge what an ass he is and BOOM - dead.

And yeah, be careful not to make him a caricature. I always use the Ted Bundy rule:Ted Bundy was, for most accounts, a wonderful person. Got along well with people, considered to be good looking, very intelligent with a great personality. Of course he had this pesky habit of murdering co-eds...

The point is, when you write a character, like most people, they are neither totally good nor totally bad. It's your choice as the writer to bring out certain good things and certain bad things to manipulate your characters. Keep your characters in three-dimensions.
[FONT=Tahoma]"All I can do is be me ... whoever that is". Bob Dylan [/FONT]
# 4
ericthecableguy
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ericthecableguy
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02/09/2007 3:11 am
Originally Posted by: acapella
Well, I think that Richard being a slob in secret and nobody (including Richard) knowing about it except the main character is an integral part of the story. Hell, maybe he isn't even all that bad, maybe the main character has just gotten to that point where he percieves things that way. To draw a paralell with another relationship, a man and a woman who are married can start out great but over time all the little annoying habits add up in each others minds and they end up hating each other for the smallest reasons, like "he brushes his teeth too loud" or "she plays with her fork when I talk to her at dinner". You see the effect I'm trying to create here? Obviously Richard and the main character didn't start out great or anything, but the point is things built up over time, and this is one way of showing that. Remember, all you're getting here is the perspective of the main character. You have to draw your own conclusions from that. The main character isn't necessarily always the good guy, but the point is to make you see things his way. Do you see a better way I could do that in this case?


I kinda missed that :o . I didn't pick up on the fact that Richard was only richard around the main character...my bad.
For life is quite absurd and death's the final word, You must always face the curtain with a bow
Forget about your sin - give the audience a grin
Enjoy it - it's your last chance anyhow.

METOOB
# 5
acapella
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Posts: 1,617
acapella
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Posts: 1,617
02/09/2007 5:55 am
Originally Posted by: Jolly McJollysonI didn't hate him that much either. We all knew the narrator hated him, but he wasn't but so unbearable. Be careful not to make him a caricature, though.[/QUOTE]

Yeah, well what you're saying ties in with my point, that the narrator hated him and that the goal is for you to appreciate that, which I guess you do...whether or not I can actually make you feel the same way, I'm not sure, this my second story after all. But I'll be working with some ideas. As far as making him a caricature, I mean, again, this is from the perspective of one person who sees him a certain way and, you know, has some issues. The way he sees him may be "caricatureish" but still...that's how he sees him. I dunno, do you think it's overdone, or just done wrong, or what? Suggestions for making the reader share the narrator's emotion?

[QUOTE=hunter60]Somewhere up^ there someone said that it's like a couple. Perfect example.


Dude, that was me.
You go outside and practice screaming. We'll play music while you're gone.
# 6
acapella
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acapella
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02/09/2007 6:26 am
Whoops! This is interesting...I actually did a revision of this story a long time ago, and forgot to put it up on GT/didn't bother because nobody was replying. So I guess that now is a good enough time for that. I won't replace the first post, because who knows, maybe that one's better. Anyway, here it is, the long lost draft #2. I don't remember exactly what the changes were, but you know, give it a look.

The Sound Of Silence
By Michael Chikousky

Richard looks like a female rat. So maybe he’s a rodent-like guy, or just another girl. That looks like a boy.
I sat pondering this while I watched him from my side of the dressing room. I’d watched him every day for the past fifteen years, and in all that time I had never spoken to him unless the script called for it. The reason for this was simple and logical: Richard was disgusting. It disgusted me to see him, to watch him go through his filthy habits and observe his grotesque little nuances that he either didn’t know about, didn’t bother to hide, or thought were endearing. To talk to him would have been like talking to a filthy bloated rat, and if that rat replied? I don’t know anyone that could keep any composure then. I can’t think what it would have been like to touch him. Just thinking about it…no, I won’t do that to myself. It doesn’t matter now anyway.
I remember that day very clearly, even now. You could say it was the day that I became a prisoner, but I don’t see it that way. I was already a prisoner. If anything I was set free that day.
The day had started out the same as always, of course. How else would it start? In fifteen years of putting on the same play every day the routine had been the same, and the only things that ever changed were the title on the sign outside and the lines that came out of my mouth. There was certainly no call for variety on that day. It was a Saturday. Everybody was looking forward to the next day because on Sundays we didn’t have to put on the performance until midnight, which meant we could sleep in on Sunday morning. Of course the fools never seemed to care or notice that it only meant less sleep on Sunday night, but I didn’t bother to point this out to them. I’m sure I would have been met only with a cow-like stare, and the dry satisfaction I would get from my own rare ability to think coherently. A lot of good it did me to think in those days. You don’t need much in the way of logic to read what it says on a piece of paper. There were no actors there, only robots. There were only two real actors, myself and that pompous bastard Richard.
The worst thing about him wasn’t that he thought so highly of himself. The worst thing is that everybody did. Somehow I was the only one who could see through him. It wasn’t even a matter of seeing through him, just seeing him. They all saw him as a leader, because he made it very clear that he was superior to them. He definitely stood out. He made sure that everybody knew that he was English, and he only wore suits. Red suits, God knows why. They were always red, and always…puffy. I don’t know where a man could get a puffy red suit, but he was never seen without one. And he looked so goddamn dignified in it, too. You couldn’t say that he looked like he was trying too hard to make an image for himself, because he didn’t look like that. You had to look close to see it, and I was the only one who dared to look close. I’m sure they all knew, deep down, but were afraid to admit it to themselves: Richard was nothing but a phony bastard. On second thought, I’m not so sure that they knew that. As I said, they didn’t exactly have the highest capacity for coherent thought.
That was the thing that set Richard and I apart from the others. We were the smart ones, the thinkers, the deep ones. Everybody knew that, including ourselves, and including the directors. That was why they chose us; they needed thinking men to play the leading roles. They needed learned men, men who understood the theatre, who could carry out the complex instructions that were required without botching them.
The difference between Richard and me was the effect that our knowledge had on us. My studies had left me humbled at the immensity of knowledge in the world, and the small amount most people possessed. At the same time I held contempt for the unlearned, and a feeling of superiority, but I couldn’t help that and I took no pleasure in it. That was the difference between us. Richard felt no guilt, nor did he feel there was a debt to be repaid. He felt only the contempt, and made no effort to hide it. This gave him a sense of loftiness and an air of superiority, and nobody ever doubted his impression. If Richard seemed better than them, then so he must be.
Everyone envied me because I spent the most time with him. I wonder if they had known what their precious idol was like behind closed doors, what they would have thought. It is possible that they would have denounced him, but it’s more probable that they would have simply called it a bad dream, a test of faith, maybe even indigestion. They would have come up with some excuse, someone to blame. Richard was always right, and to them nothing could change that.
That time I spent with him alone in the dressing room was my own personal hell. He always felt he could be “comfortable” with me, that he could be “himself”. Why anyone who was a filthy bloated rat would want to be themselves at any time I never understood, but he never asked me to understand that. He never asked me much of anything, but he sure told me a lot. I didn’t hear most of it though. Mostly I just thought, and watched. I watched his fat dirty lips move. They sprayed crumbs everywhere when he talked. He was always eating something in that room, and it always was full of crumbs. I watched his fat, hairy stomach move up and down as his weak lungs struggled for another breath. I watched his rodent eyes darting around, always looking for something, something to eat, something to put his filthy hands on and touch and ruin. He never looked at me, never regarded me as another individual. The only individual that Richard knew was Richard. I was just a listening post who at least could understand, my dear man, unlike the rubbish outside. And the whole time I thought about two things. How I felt about him, and what I was going to do to him.
I came up with some very interesting ideas, some very creative ones. How strange it is that on the final day, it was so spontaneous. Frightening and painful as it was at first, it was beautiful as well. It may have been my best performance.
As I sat in the dressing room I watched his fat mouth working, the crumbs spewing, the hands crawling scrambling, the eyes darting, and even though I didn’t hear him speak it seemed that a huge noise was crushing me. I had to get out, had to get out, I couldn’t breathe. From what seemed like miles away I could hear Richard saying “are you sure you’re quite all right? You don’t seem to be listening at all.” Everything seemed to be crashing in on me. I don’t know what would have happened if the director hadn’t come in then and told us we were on.
Richard stood up and stretched. “Suppose it’s that time again,” he sighed. We went outside to the stage. I still felt kind of shaky, but otherwise it seemed my spell had passed and I was calm again. The lights seemed too bright though, and the murmurs of the audience a little too loud.
On stage we quickly and efficiently assumed our roles. Every night for fifteen years we’d been taking them, how else were we supposed to do it? We went through the whole thing flawlessly as always. We waited behind the curtain for our final scene. Everything seemed to be…pulsing. I felt scared and sick. The expectant rumbling of the audience was almost too much to bear. By the time we finally stepped outside I could barely stand.
“What did you think?” asked Richard. “That I wouldn’t do anything when I found out? That I would just forget about it?”
“I didn’t care what you thought of it,” I replied. Even in this state I could still dish out my lines automatically.
“She was mine and you took her from me. I thought you were my friend. You’re nothing but a…”
Richard never got to finish that sentence. He was supposed to finish it and then attack me, but that never happened either. I didn’t know that I was going to do it, but I wasn’t really surprised when I did. The wine bottle was only a prop, but it was heavy enough. He turned back to me, and his eyes were shocked and confused. This renewed my anger and dissolved any pity I might have felt. Then he started to speak, and I knew I couldn’t bear the sight of his goddamn fat mouth spewing his filthy blood all over the place. It didn’t occur to me until later that some of that blood might actually have touched me, and if that happened I would probably not have survived it. I hit him, again and again, and he just looked back at me with those eyes. “No…it’s wrong…this isn’t how it goes…”
When I finally stopped, everything was silent. Richard lay on the floor, one hand on his face, the other clutching his doughy chest. No one moved or breathed for a long time. All they did was stare- stare at the blood, the body, and the pathetic rising and falling of that fat, hairy stomach. They stared until those poor, burdened old lungs quit. I can’t say it took them very long. When his wheezing, gurgling whines finally stopped, there was no noise at all. I lied down on the stage and closed my eyes. It was so quiet, and it was so peaceful. It was a sound I’d been waiting to hear for fifteen years.
You go outside and practice screaming. We'll play music while you're gone.
# 7

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