There are 3 electric guitars in this song. Guitar 1 is a clean guitar that plays the iconic single note riff as well as some strummed barre chords. Guitar 2 is an overdriven electric guitar that ups the dynamic of the arrangement. Guitar 3 plays the simple but effective guitar solo. This song uses a whole step down dropped tuning, single note riffing, aggressive strumming approaches, power chords and suspended chords, and dynamics.

There are 2 electric guitars in this song. Guitar 1 strums a single riff throughout the song, while Guitar 2 digs into some bluesy lead fills all the way through. This song uses barre chords, steady strum approaches, and some killer bluesy rock licks.

The song features one acoustic guitar that strums the progressions throughout. Any acoustic guitar can be used to play this song. This song uses open chords and barre chords, steady strumming approaches, and dynamics.

There are 2 fuzz tone guitars in this song. Guitar 1 strums the chord progressions and adds some single note riffs, while Guitar 2 plays high register blues licks throughout. This song uses barre chords, steady strum approaches, chord arpeggiation, and some killer bluesy rock lead approaches.

There is 1 electric guitar that strums the chord progressions and adds some lightning quick bluesy licks in the middle “freak-out” interlude. This song uses open chords, barre chords, and triads, steady strummed approaches, and bluesy lead approaches.

In this tutorial we will learn a Francisco Tarrega (1852-1909) piece for solo classical guitar 'Prelude No. 1 in D Minor'.

There is 1 clean electric guitar in this song that strums the progressions and adds chord embellishments throughout. This song uses diads and triads, simple chord embellishments, and a swinging 8th note groove.

There is one electric guitar strumming the chord progressions throughout, as well as adding some fuzzed-out bluesy licks to the solo section. This song uses barre chords, steady strum approaches, and some killer bluesy rock lead approaches.

This song features one acoustic guitar that strums and arpeggiates the riffs throughout. Any acoustic guitar can be used to play this song. This song uses open chords, chord arpeggiation, aggressive strumming, and dynamics.

There are 3 overdriven electric guitars in this song. Guitar 1 holds down the rhythm, while Guitar 2 adds some searing riffs, fills, and licks throughout. Guitar 3 adds a lower octave riff to the choruses. This song uses a galloping boogie rhythm, dominant 7th chords, double stops, and some killer rock licks.

There is 1 clean electric guitar in this song that strums the progressions and adds chord embellishments throughout. This song uses barre chords, chord embellishments, staccato strums, and a 12/8 groove.

Any acoustic guitar can be used to play this song. Tune your guitar down one whole step to play along with this tutorial. This song uses open chords, descending bass motion, and a boom-chick fingerpicking and strum approach.

This song features one acoustic guitar tuned a full step down from standard tuning. Any acoustic guitar can be used to play this song. This song uses open and barre chords, chord arpeggiation, 3/4 time, and dynamics.

There are 2 clean electric guitar layers in this song. Guitar 1 plays lower single note lines and chords while Guitar 2 plays upper string melody lines and chord stabs. Both guitars are carefully crafted and interlocking, and stay very active throughout the tune with a mix of staccato chords with quick changes, steady strums, and single note lines connecting the changes and sections. There is a lot to learn in this song from both parts!

There are 2 guitars in this song. Guitar 1 is an acoustic guitar that strums the chord progressions throughout. Guitar 2 is a clean electric guitar that adds a twangy solo to the arrangement. This song uses open chords and barre chords, steady strumming approaches, and some textbook early rock licks.

There are 2 clean electric guitars in this song. Guitar 1 plays the rhythm riffs throughout the tune, while Guitar 2 is a clean guitar that plays licks in the intro and solo sections. This song uses bluesy rhythm riffing, a triplet swing groove, and some simple blues leads.

There’s no guitar part in the original version of this song, so we’re going to use an acoustic guitar to strum along with the band in a made easy format. We’ll outline the simple chord progression in C major and have fun doing it! We are also including a bonus lesson that shows how to mimic the piano intro riff on guitar. This song uses open chords and barre chords, a simple strumming pattern, and dynamics.

There is 1 clean electric guitar in this song that strums the progressions with slight embellishments throughout. This song uses triads, chord arpeggiations and embellishments, staccato strums, and a 6/8 groove.

In this tutorial we will learn a solo classical guitar arrangement of one of Tchaikovsky's themes from his 'Swan Lake' ballet score.

There is one guitar in this song that alternates between quiet verses with a clean sound and loud choruses with an overdriven sound. This song uses power chords, arpeggiation, aggressive strumming and dynamics.