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In this third tutorial of the series we will focus only on targeting chord tones in order to learn more ways to spice up the minor pentatonic "box" blues shape with notes from the major scales. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials from the series on "Major Notes in Pentatonic Minor". For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major.
In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorial "Major Notes in Pentatonic Minor".
In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials in the series "Major Notes in Pentatonic Minor".
Christopher will show you how to spice up your blues licks by adding major scales notes to the minor pentatonic "box" blues shapes. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones.