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- Introduction: It's All in the Right Hand
- Advanced Strumming Tone
- A New Eighth Note Pattern
- Swinging the Eighth Notes
- A New Sixteenth Note Pattern
- Swinging the Sixteenth Notes
- Incorporate Karate Chop Muting
- Practice Tune 1: Straight Eighths
- Practice Tune 2: Swung Sixteenths
- Advanced Strumming: Easy Practice Exercises
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- Introduction: Move the Notes and Add a Few
- Rock Rhythm Voicing: Telly Tone
- Classic Major Chord Voicing
- Power Chord: Root on the D String
- Dominant Chords: Rhythm 7ths
- Drop D: One-Finger Power Chords
- Drop D: Power 9th Chords
- Chords and Voicings: Practice Tune
- Chords and Voicings: Easy Practice Exercises
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- Decorated Chords
- Embellishment Gear and Tone
- Embellish the Major Barre, 6th String Root
- Embellish the Major Barre, 5th String Root
- Embellish the Minor Barre, 6th String Root
- Embellish the Minor Barre, 5th String Root
- Decorate Your Substitutions
- Embellishment Practice Tune Intro & Outro
- Embellishment Practice Tune Verse
- Embellishment Practice Tune Chorus
- Embellishment Practice Tune Performance
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Meat and Potatoes Tone
For this tutorial I'll be using my Gibson 335 and I'll be running it through a modeled Fender amp with a little bit of reverb, but as always you can play the examples on any guitar and through any amp.
The most important thing is that you have some kind of overdrive or distortion. When you solo with a clean tone in a rock context you typically use a slightly different vocabulary in order to "fill it out". However if you don't have any means of obtaining gain right now, you can just imagine it's there, work up the examples and acquire it down the road.
Instructor
Anders Mouridsen
