Electrics are a stable sit fit [u]for me[/u], strap or not, the Les Paul excepted as previously iterated. Haven't tried any other electric guitar yet presenting with the same issue. That may eventuate. ? In my observation, others appear to be perfectly comfortable playing similar shape guitars to all my others on same thigh position I do, consistently without a strap too, quite apparently without it inhibiting their demonstrated skill?
Fortunate to be of years having matured beyond any craven desire to follow fashion chic. Strap on when standing, I like 'em sitting where George Harrison did in the 1960s. Perfect [u]practical[/u] fit with me regardless the superficiality of celebrity endorsement as it may alter from time to time.
Quasi-Classical position with the Dread, standing with the Dread, of course I've tried them. Neither work for me despite really wanting it, or one of them to. It just doesn't. For my build, that Dread body is just tediously bulbous, pointless considering it's coincidentially redundant for my playing purpose at home. When I want more noise or shaped tone, I amplify. Sitting or standing, Concert bodies [u]for me[/u], appreciating OMV.
Interestingly, two people I hold in esteem both play their Les Pauls in that hybrid/quasi-Classical body between legs position when sitting, [u]without a strap[/u]. For illustrative purposes, here's one. [br][br]I've tried it, and undoubtedly with sufficient exposure, I could possibly adapt to it for the Les Paul. I don't want to. Why? A. It's unnecessary, and B. by way of analogy it reminds me of concurrently riding European/British and Japanese motorcycles with the gearshift and footbrake, brake and clutch mounted on opposite sides of the handlebars and frame. One can adapt and do it, as I did many years ago, but it's an ergonomic encumbrance. For instinctiveness required through the twisties at high speeds, one needs to standardise on one or the other. As a right hander, I found the position the Japanese brands chose to adopt as standard the more natural feeling, intuitive and instinctive. [br][br]The way I've adapted to the Les Paul issue is to recognise I can do without its drop dead gorgeous looks in favour of preferring the same playing characteristics in a contemporary design short scale set neck Mahogany solid body. Yamaha's Revstar still has gobs of sustain and importantly, zero fit issues. All the benefits, without carrying any of the early 1950 design inherited baggage in service of looks the Les Paul does IMV. Fender got the looks, balance and fit nearly right first go. Gibson didn't. My view of course. [br][br]There's a workaround for most problems. Mine was preferring to change to a modern better thought through guitar design with superior ergonomics adapted to the human body which fits, yet still looks drop dead gorgeous aesthetically rather than adapt my playing style to that unusual centre fit bodyline playing style. Each to their own. Whatever works for them.