Originally Posted by: Fret spiderit is as cryptic says
anyway to just give u examples lets take the key of c ionian (the major scale). it has the following notes C D E F G A B. and then repeats
i will quickly clear up the 1 4 5 thing. the first chord of the scale is pretty obvious, you take the first 3rd 5th and seventh note. which are C E G B.
now for the second chord set the second note D as the root note, so that the order of the notes is D E F G A B C. (now you are in the dorian mode but modes are not specifcally important now, i am just tryin to show you how to make the chords). now again take the first 3rd 5th and seventh note of this scale. this time it will be D F A and C.
then u do the above again starting on the third note of the ionian scale. which is now the phrygian mode. the notes are E F G A B C D. and the chord you get contains E G B and D.
repeat this for the remaining notes of the scale and you get all the seventh chords for the c ionian scale. if u want only triads eg major/minor chords with out the seventh exclude the seventh note.
to sum up the first chord contains C E G B and is a Cmaj7th (could play cmaj)
the second chord contains D F A and C and is a Dmin7th (could play Dmin)
the third chord contains E G B and D and is a Emin7th (could play Emin)
the fourth chord contains F A C E and is a Fmaj 7th (could play Fmaj)
the fith chord contains G B D F and is a dominat 7th, also kown as 7th chord, (it is made of root, maj 3rd, 5th, flat 7th) and is G7. (could play Gmaj)
the sixth chord contains A C E G and is a Amin 7th ( could play Amin)
the seventh chord contains B D F and A and is a diminished 7th (i think that is the name), (it has a root, min3rd, flat 5th, flat 7th) and is Bdiminshed 7. (could play Bdiminished.)
so now we have the seven chords of the scale.
now back to modes, one could think of the modes as changing from chord to chord, so that on the first chord it is the C ionian, on the fourth it is F lydian (the fourth mode), and on the fith it is G mixolydian (the fith mode). this is quite usefull as it allows the muscision to target the particular notes that are in the chord whilst playing lead, this is often very useful. but because the 1 4 5 progression (Cmaj 7th, Fmaj 7th, G dominant 7th or Cmaj, Fmaj, Gmaj) has a very distinctive sound that resolves very well back to the first chord, Cmaj 7th, it sounds like the modality remains in C ionian.
now if i was to play the chords Dmin 7th, G dominant 7th. Amin 7th it is possible to say this is a 2 5 6 progression in C ionian. but i 2 5 6 has a weak feel it doesnt feel very 'obvious' to the listener. they would prefer to hear it as a 1 4 5 progression in D dorian.
really it all depends in a way on the start point.if u say the second chord of the C ionian scale is going to be your 1 chord you are in the dorian mode, if you say the third note of the C ionian is the 1 chord you are in the phrygian mode.
to hear all this play 1 4 5 progressions in each mode.
eg relative to the ionian mode 1 4 5
2 5 6
3 6 7
4 7 8/1
5 8/1 2
6 2 3
7 3 4
hope this helps
When all else fails, go cromatic on em?
A-A#-B-C-C#-D-D#-E-F-F#-G-G#>
1-2-3-4-5-6-7-8-9-10-11-12>
Im just playin Fret Spider. This is a very good lesson, you know your s**t. That question was completely answered. NEXT?