Originally Posted by: aschleman Having some lyrical ideas jotted down helps sometimes too. Sometimes you can't fit something that you write down with the music you want... so you'll have to adapt it.
On the subject of 'ideas' I find it a good dea to jot down stuff all on one page, so you have lots of differnt styles, line lengths, moods, etc. Don't start a page with "Song #1" at the top, and try to write the whole thing. You need to brainstorm differnt ideas, like aschleman said.
I have several notepad files called 'Jotter' that are a mish mash of random ideas. When you have an idea for the music, just find what 'type' of lyric will best be served by the music.
Here's an example of my latest jotter page. I like chaos cos it suits me. (another line there you see, unintentionally!
D/S = 'different song or different idea'
Her mother told her sex was dirty
unless you're trying for a child
she thinks to wear odd socks is flirty
a...nd... just... a touch......... too........ wild.
(** last line done in an almost 'operatic' form. There is nothing wrong with an unuasual, or funny intro to a song. It can grab people's attention' On one recent track I have a dog barking and birdsong - denoting a summer's day, (Beautiful Day) and on another a snatch of a 'telephone coversation' to set up the piece (although on a later mix, I took it out) and the general mood (Always be that way). Written it can seem corny, but if it sets up the mood, do it. There are NO RULES! **)
D/S
"she said 'look at your face'
the world can see you're f****d
toward your graves you race
hell bent on self-destruct"
D/S
(** sometimes you can repeat parts of lines, to make the words fit. For example Morrissey almost always repeats the entire first line of all his solo stuff. Just using him as an example I call this style 'simple repeats' ** )
"I feel such a disgrace
for having lied to you
I know how much you hate
how much you hate being lied to"
(** I often (on paper) number the syllables, connected by lines of different length for the length of time that note is held, so I know how to sing them - not easy to explain here **)
D/S
** ( on reading this idea back, it didn't scan right, so I added to it, for flow (in brackets ) **
"A stream of concience
that feeds a pool of thought
our love (that) had (a) life once
a breath that can't be bought"
** (I'd then think 'ahead' on the word 'bought', knowing I was going to expand on the 'surreal theme' even further, ending with the word 'Taught' this time.') **
"A field full of dreams
a snatch of happiness we caught
a stifled silent scream to end
the lessons we aren't taught"
(** Which means anything you like. I like to create an atmosphere, so the listener can paint his/her own images of interpretation, in their minds eye**)
D/S
( ** This is 'machine-gun style, almost without pause, and the word '**Muffled**' (when sung) actually belongs right after the word 'Heard' although 'correct grannar would have it where it is. This is part of a song about growing up wanting to be a pop star**)
"A touch of bathroom reverb
take the mirror from the wall
The T.Rex and Bowie we heard **
Muffled bass through next door's wall"
"The Tennis racket Fender
and the hairbrush microphone
belting out 'Return to Sender'
every time I was alone'
**Dont be afraid to write real events, in a slighly distorted way**
(**Just general illustrations of there being no hard and fast rules. Its so hard to get across in writing, which is ironic to say that's exactly what we are talking about. The basic method for me is, if you have enough pieces of ideas, as many pages as you can turn out, then you can mix and match (the cut-up technique) with often amazing results. My trouble is, at my stage of my writing, is that I have just about "Said it all".
Listen to all of the advice, as it's free. Then take what you can use, and set about your task. Let us know how you get on, and don't be afraid to post up your ideas.
[FONT=Garamond]Steve Gad[/FONT]
[FONT=Tahoma]You may hear me upstairs, stamping my feet and kicking the furniture. That's just me 'warming up!'[/FONT]