[font=trebuchet ms]I expect your 200 is fairly close to my SBG1000's. My first one has a DiMarzio Dual Sound at the bridge and a SCHB at the neck. I modded the switching on the Tone pots to select series/parallel coil connections. I also canibalized the neck Volume pot to add a phase switch.
That setup does pretty much anything I want it to. The series connection is classic humbucker tone all the way. Parallel adds some great options that sound like quiet single coils (no hum). And the phase switch can do some very sick things to distorted tones.
I bought an identical black 1984 SBG1000 a couple of years ago. I left it stock for a while, but the coil-tap switches turned the 'buckers into noisy single-coil pickups, and since I don't often use a lot of distortion, they sounded a bit thin. Which is a bit ironic, because I ended up installing a DiMarzio Tone Zone at the bridge, and a PAF Pro at the neck, with the same switch mods as my first SBG.
I love the sound of that PAF Pro! It is incapable of sounding anything but amazingly toneful, regardless of control settings on the guitar or the amp. And the Tone Zone has re-introduced me to the joys of balls-out distortion and singing harmonics.
"I cannot make the SG sound like a LP..." :confused:
Give your head a
shake son! How many LP's do see with the stock pickups still in 'em? The mahogany neck and body is what makes the tone. Those carved maple tops may look pretty, but they don't really affect the tone on the Yamahas
or the Gibsons. I bought my first SBG1000 back in '84 when I went downtown to buy a Gibson LP Custom I had been drooling over for months. The Yamaha turned out to be a better guitar, for half the price. I bought the second one on eBay, because I knew it would be just as good as the first one. I still have both of them. Your SG200 is probably less detailed for pretty cosmetics, but you can be sure it was made by people who care.[/font]
Lordathestrings
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