-
-
- Introduction: It's All in the Right Hand
- Advanced Strumming Tone
- A New Eighth Note Pattern
- Swinging the Eighth Notes
- A New Sixteenth Note Pattern
- Swinging the Sixteenth Notes
- Incorporate Karate Chop Muting
- Practice Tune 1: Straight Eighths
- Practice Tune 2: Swung Sixteenths
- Advanced Strumming: Easy Practice Exercises
-
- Introduction: Move the Notes and Add a Few
- Rock Rhythm Voicing: Telly Tone
- Classic Major Chord Voicing
- Power Chord: Root on the D String
- Dominant Chords: Rhythm 7ths
- Drop D: One-Finger Power Chords
- Drop D: Power 9th Chords
- Chords and Voicings: Practice Tune
- Chords and Voicings: Easy Practice Exercises
-
-
-
-
- Decorated Chords
- Embellishment Gear and Tone
- Embellish the Major Barre, 6th String Root
- Embellish the Major Barre, 5th String Root
- Embellish the Minor Barre, 6th String Root
- Embellish the Minor Barre, 5th String Root
- Decorate Your Substitutions
- Embellishment Practice Tune Intro & Outro
- Embellishment Practice Tune Verse
- Embellishment Practice Tune Chorus
- Embellishment Practice Tune Performance
-
-
-
Palm Muting: Les Paul Tone
As I mentioned in the introduction we'll be using a lot of gain today. I'll be playing the Les Paul on the bridge pickup and running it through a modeled Mesa Boogie amp with the gain cranked, so we get a ton of distortion - also knows as a "hi-gain" sound.
Furthermore I've turned the EQ knob controlling the mid-range almost all the way down. This is a classic metal trick called "scooping the mids" referring to the graphic EQ where the curve dips down in the middle of the frequency chart.
This leaves us with mostly bass and treble in our tone and really makes the guitar blend in with the bass and drums, almost as a third rhythm instrument. This is a great trick to use, when it's appropriate stylistically!

Instructor
Anders Mouridsen
- Styles:
-
- Difficulty:
-