Originally posted by noticingthemistake
Your right theory is academic and in the converstaion about the F, G, and I6 chords I was trying to be non-academic about it. I said there was no reason to have three different names for different variations of one chord, which today ,if I recall the discussion correctly was a dominant 7 chord.

To offer a second view of the conclusion of this past debate:
At 1st you denied such a thing existed (aug.F, G,It 6th chords). Then you concluded that it had no function in modern times (which we all agreed too). We were only supporting the fact that it is recognized in theory analysis of barouqe music and to deny its existence, wether relevant or not, would be dishonest.