Yeah man, it's a great formula. I don't see how this scale uses less theory than any other scale though, I think you use just the same. Knowing that I have to remove or even alter notes within this scale is using more theory than just taking a simple major scale or pent and play it over a major chord or major chord progression. That's an excellent place to start, because it is a catch all. However using this scale as a generalized harmony scale is less productive than most scales. As for being a single chord harmonizing scale, it is d@mn brilliant. Both the fused pents and the fused blues scales.