Ab, C, Eb, F# - Ab#6 (yes..enharmonically (Gb) dominant 7th)
If you took out the 5th.
F#, Ab, C - F#dim(add2)
But my point is...
The Augmented 6 chord is an augmented triad with a 6th added to it.
Ab, C, E, F - Abaug6
The augmented triad is the key to understanding what I am saying. It's 100% accurate and is the modern way.
Ab, C, Eb - major
Ab, C, E - augmented
Maybe back before they had dominant 7th's, they used this way of describing the sound as a augmented sixth. But now the structure of chords is based on simple triads, then what comes after that is an extension. It looks to me that the french, german, and italian used the interval #6 as being augmented. How would they discribe a minor, or diminished chord? Let alone a augmented chord. Would it be an Ab augmented augmented 6 chord???? HAHAHA Simply, breaking the modern structure into a more primative state. The modern way is much much simpler.
First you take the root..Say its C.
Then figure out if it's major, minor, diminished, or augmented.
Say it's C augmented. Which would be the notes C, E, G#.
Say you wanted to add A to that for harmony purpose.
Now you have a Caug6 chord. C, E, G#, A.
The other way leaves you with no answer to whether it's a major, minor, augmented, or diminished chord. Which makes it more of an interval than a chord. Do they still use this chordal structure???
Maybe, I'm misunderstanding the use for this idea but to me it only complicates things and really causes alot of problems. Like I said before, I have no use for it.
"My whole life is a dark room...ONE BIG DARK ROOM" - a.f.i.