progression to imporv over


Slasha
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Slasha
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05/07/2002 12:52 am
lately i have had trouble coming up with cool progressions to jam over. And if i do it is too basic (G Cadd9 D C etc)
I was wondering if anyone had a cool progression (prefferably not blues because i already have a million progressions for that!!)

thanks!
:cool: Slasha
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Keep Pickin'
!!!!!!!!!!!

# 1
Bodomchild
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Bodomchild
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05/07/2002 1:04 am
Here's a cool one: F8 4x B7 4x E7 4x A4x D5 4x G# 4x and finally A5 8x. 6/8 timing recommended-use different picking patterns.
# 2
Christoph
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Christoph
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05/07/2002 1:42 am

F8?
# 3
Bodomchild
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Bodomchild
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05/07/2002 1:54 am
Power chord Eighth fret (it's metal laugh all you want)
# 4
Incidents Happen
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Incidents Happen
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05/07/2002 3:07 am
Originally posted by Bodomchild
Power chord Eighth fret (it's metal laugh all you want)


there is no F8, because there are only 7 degrees in the major scale, so buddy, you made that chord up yourself. What it really is, is an F5, and essentially you can play that either on the E string (root on E) on the 1st fret, if you want a real deep voicing, or you can go to the 8th fret on the A string. but let me just say, dont ever say that its an F8 because its on the 8th fret, the number has a totally different meaning.
# 5
Bodomchild
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Bodomchild
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05/07/2002 3:48 am
I didn' t mean to be offensive just keepin it simple.
# 6
mc9mm
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mc9mm
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05/07/2002 7:24 am
This is a cool neoclassical "randy rhoads" progression:

A F G E E/G# <-- that is E with G# bass

This is played with powerchords.


# 7
educatedfilm
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educatedfilm
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05/07/2002 10:52 am
this is completely off topic, but its to do with incidents post, ok, i thought something like F8 could exsist? Let's looks at the Cmaj

C D E F G A B c d e f g a b c.
1i 2 3i 4 5i 6 7i 8 9i 10 11i 12 13i 14 15i.

the i are all the notes i would use if i continued the c maj voicing. I would actually use 1,3,5,7,9(which is also 2nd, but it's an octave up), 11(same as 4th, but again an octave above), 13th(same again), 15th.
Now, is this how you get 11th chords for example? and why can you simply not add a second?
And could you not have power chord with an 8th instead of a first? (I know this in not what was meant).
thanx

# 8
Bodomchild
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Bodomchild
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05/07/2002 11:14 am
It was in a roundabout sort of way(hey that's a great YES song)Heres another using triads of the arpeggios...Em7,D5,Am,Em7,D5,Em7,D5,C
# 9
lalimacefolle
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lalimacefolle
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05/07/2002 5:07 pm
C C7 F Fm C G C G

Very cool sounds like a gospel tunes... We call it a 'christoph' in french musicology.
# 10
Christoph
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Christoph
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05/07/2002 5:31 pm

Must be my evil twin brother.
# 11

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