View post (theory behind chromatic riffs anyone?)

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educatedfilm
Registered User
Joined: 08/10/01
Posts: 882
educatedfilm
Registered User
Joined: 08/10/01
Posts: 882
03/05/2002 1:29 pm
hmmm. I get kinda what your saying... but that tab hasn't come too well... but, yeah I'm impressed :)... very very cool, I just need to understand it properly...
When you say dominant of the dominant that would be *thinks* um...
G A B C D E F#
1 2 3 4 5 6 7
So the dominant tria would be... D, F#, A... The dominant of that would be A.. ok..
and it your playing i, iv, v, then that would be G, C, D... and A... ok i get that part... and flattend fifth (C#)?, flattened 6ths (D#) :), flattened 7th (F) :).. but what about the G#? ...sorry about this... I'm still pretty new to music theory..
thanks for yer help..
"im walkin between the NATURAL notes
in the key" ?????????????? I get the flattened 5th etc, is THAT what your doing?

"which makes it wanna go
back to G again ." How? and why? ok... G, B, D, then D, F#, A... shouldn't it then be, A, C, E... i thought you were taking the fifth of the last chord, and then using it as a root, and then taking the 5th of that chord, and making it a root?... Basically take a chord, make it's 5th the root of the next chord, is that what your doing?