My questions are;
- does this mean that instead of playing the V7, i should just go up three whole tones and use that instead? In what cases can i actually do this, only in the context of a II-V-I progression?
- I was messing around with the keyboard and i was playing something in C#. When moving from the V to the V, my finger hit C# right before i went to the IV so it sounded like another 2-5-1 in the key of F# (which is actually the IV of C#). What is the theory behind this. It sounded really good and what chord do i use as a passing tone btw the V and IV if i do this.
I know it may be a bit confusing. I am at work and i had to get the answer before heading back home. :D