http://www.yousendit.com/transfer.php?action=download&ufid=DF42B3A369C4FED7
Hey guys, just posting a short piece I did a while ago for one of my music theory courses at school.
It changes keys several times, but my favorites are the modulations between Aminor and Cmajor every two measures in the later parts. The first part is pretty much counterpoint.
A little piece of theoretical stuff
# 1
Nice work man. I have a novice's grasp of theory, but since since I've been listening to more classical music lately, now I at least know what counterpoint is. And yeah, liked the key changes too. Can you play this as well?
And on a side note, it loops pretty seamlessly well. I just happen to keep my media player on repeat. If it weren't for that very last note of resolution at the end, I wouldn't notice when it repeats.
And on a side note, it loops pretty seamlessly well. I just happen to keep my media player on repeat. If it weren't for that very last note of resolution at the end, I wouldn't notice when it repeats.
[FONT=Palatino Linotype]"Bust a nut!" - Dimebag
"Imagination is more important than knowledge." - Einstein[/FONT]
"Imagination is more important than knowledge." - Einstein[/FONT]
# 2
dude that was superb...ive been learning some piano stuff myself lately...not doing to well as of now...ah well it all takes time...classical stuff rock..imo :D
[FONT=Impact]grooviest tunes ever [/FONT]
# 3
Hey Jolly, nice work there man.
I like the way you use the counterpoint in that piece, I can hear perfectly both melodies at the same time, and the modulation to the Major relative adds an interesting mood to the tune.
The inversions on the diminished arpeggios well supported by a prog. of 4 chords resolve nicely to the i chord from the V7.
Keep the good work.
What are you working on these days?
I like the way you use the counterpoint in that piece, I can hear perfectly both melodies at the same time, and the modulation to the Major relative adds an interesting mood to the tune.
The inversions on the diminished arpeggios well supported by a prog. of 4 chords resolve nicely to the i chord from the V7.
Keep the good work.
What are you working on these days?
# 4
Originally Posted by: equatorHey Jolly, nice work there man.
I like the way you use the counterpoint in that piece, I can hear perfectly both melodies at the same time, and the modulation to the Major relative adds an interesting mood to the tune.
The inversions on the diminished arpeggios well supported by a prog. of 4 chords resolve nicely to the i chord from the V7.
Keep the good work.
What are you working on these days?
Nothing musically, sadly. I was doing a string quartet for a while, but ran out of free time to spend on it. Now I'm working pretty much entirely on Modern British Literature and analysis thereof, though I've been doing a lot of American lit recently...
# 5
File expired :(
# 6
