Spontanious Combustion
# 1
I'd rather redo it anyway. It'll be easier on everybody if it's in standard. Plus, that version is a bit too slow compaired to how I actually play it.
# 2
That was cool! For some reason it made me think of the kind of music you sometimes hear when a movie's over and the credits are rolling. :)
It was definitely an interesting combination--the lead and that rhythm.
It was definitely an interesting combination--the lead and that rhythm.
# 3
That's completely up to you. ;)
# 4
I like the musical idea and the collaboration works well. It is always hard to work out a single idea well by 2 musicians - who play the same insturment !
The intro is such a riot!, that sustained note ..it really takes balls to do that:)
IMHO, I think the lead could do with a little more dynamics, maybe double up with the backing track to punch out more groove. As good as it is, it tends to stays at the same level thruout the piece. Maybe is was the the original intend and this would be a matter of personal taste, nothing to do with 'good' or 'bad'.
(I checked out the 5150 test clips as well, VERY COOL!)
The intro is such a riot!, that sustained note ..it really takes balls to do that:)
IMHO, I think the lead could do with a little more dynamics, maybe double up with the backing track to punch out more groove. As good as it is, it tends to stays at the same level thruout the piece. Maybe is was the the original intend and this would be a matter of personal taste, nothing to do with 'good' or 'bad'.
(I checked out the 5150 test clips as well, VERY COOL!)
# 5
Thanks for the comments!
Having a couple of guitar parts is one thing, but creating several different guitar parts with more than one guitarist can be tricky sometimes. It definitely takes a certain sense of connection between the guitarists, and I feel that I've been fortunate enough to find that connection with some of the GT members such as Akira and Silentmusic.
The 5150 clips that I have up there now aren't the best representation of the amp. I'm planning on redoing this song for next months Backing Track solo project, and I will be using the 5150 for that.
Having a couple of guitar parts is one thing, but creating several different guitar parts with more than one guitarist can be tricky sometimes. It definitely takes a certain sense of connection between the guitarists, and I feel that I've been fortunate enough to find that connection with some of the GT members such as Akira and Silentmusic.
The 5150 clips that I have up there now aren't the best representation of the amp. I'm planning on redoing this song for next months Backing Track solo project, and I will be using the 5150 for that.
# 6
Originally Posted by: PRSplayaThanks for the comments!
Having a couple of guitar parts is one thing, but creating several different guitar parts with more than one guitarist can be tricky sometimes. It definitely takes a certain sense of connection between the guitarists, and I feel that I've been fortunate enough to find that connection with some of the GT members such as Akira and Silentmusic.
The 5150 clips that I have up there now aren't the best representation of the amp. I'm planning on redoing this song for next months Backing Track solo project, and I will be using the 5150 for that.
Hi PRSplaya,
Yes, it is a lucky thing to have , a connection with fellow musicians.
I always thought the 5150 is well known for it's presence. I have only heard it once in real life and the brightness of the tone nearly made me poo in my pants :) It is a great sounding amp, no doubt about it.
Can't wait to hear more from you and your 5150.
BTW, I can't get anymore 5150 strings in the shops these days, they all tell me this series of strings is no longer in production. Is it true?
# 7
The 5150 can definitely be a bright amp, and if you guitar lets all the natural harmonics shine through, this amp will definitely make your tone an orgasmic experience (at least to me).
I've never heard of 5150 strings before :confused:
I've never heard of 5150 strings before :confused:
# 8