Blues Lessons Course

In this tutorial we will through the basics of voicing, left hand muting, strumming and palm muting power chords. Getting comfortable with this will ultimately enable you to play the 12 bar form in any key as well as adapt your rhythm playing to different blues grooves!

In this tutorial we will be using the power chords that you learned earlier to play some blues. We are gonna talk about how to find the power chords for the 12 bar form in any key and try it out the "the band". We are also gonna cover a really useful blues "riff" played with power chords that you often hear in slow blues tunes.

In this tutorial I will show you how to play basic barre chords and how to use them in a blues context. The basic barre chord shapes can be very hard to play at first, but if you fight through the pain, I will show you how to use them in a blues context. These are really useful guitar skills that you are going to use for years and years to come, in blues and in all other styles of music, so don't give up on it just because it seems difficult at first!

The <i>First Law of the Blues</i> is the <i>12 Bar Blues Form</i>. By the end of this tutorial you should understand what the 12 Bar Blues Form is and be able to play a simple example of this important idea.

In this set of beginner blues lessons, I'll teach you how to play a simple blues in E. I'll start off with the riff and the triplet shuffle rhythm in E, then move it to A. Next I'll show you how to change those chords in time, then we'll learn the B7 chord. I'll go over the 12 bar form before I show you some fills you can play to spice things up. Then we'll put everything together, and finish up with a play along.

In this tutorial we'll boost your blues rhythm playing by exploring a handful of extremely useful dominant 7 chords and combine those with a simple but powerful right hand approach. The dominant 7 chords are the ones we write out by simply adding the number 7 after the letter name. They hold a lot of bluesy tension and they're some of the most common chord type used in this style of music.

In this tutorial we'll level up our blues rhythm playing by exploring some extremely precise and punchy voicings of our dominant 7 and 9 chords. These chords are stripped down to a minimum number of notes for a maximum impact, and they're often referred to as shell voicings. These little clusters really cut through the mix and only take up a minimum amount of space in the sonic picture, which is particularly useful when there's a lot going on in the music and you're having a hard time finding a place to sit in the mix.

In this tutorial we'll examine different types of basic blues rhythm riffs: the classic blues riff with triads, one and two note riffs, using "outside" triads, and a funky horn section style riff.

In this tutorial we're going to look at three different rhythmic feels that are used in the blues. For each of these "grooves" I will explain what the drummer and the bass player are most likely to be playing, and I will show you a guitar part that fits it. This will give you a good understanding of the different types of blues grooves and what to play over them!

While soloing is an ever important part of playing the guitar, roughly 90% of the time as guitar players we are playing rhythm. In this tutorial, we are going to take a look some advanced rhythmic concepts and chord licks that you can use in your rhythm playing in not just blues, but in all styles. It is important to note too that you can use these skills in your soloing as well. Let's take a look.

In this tutorial we're going to focus on your right hand by breaking down a couple of really useful strumming patterns for the blues. Chord voicings and left hand technique is very important, but right hand chops and different rhythmic approaches are just as important!

This tutorial shows how to play a basic shuffle boogie blues, plus some rhythmic variations using 2 and 3 note chord voicings.

In these lessons I will introduce you to some really useful techniques like bending, vibrato and hammer-ons and pull-offs, so that you can start working on your feel. Great feel doesn't come from these techniques alone, but learning them will help you get in touch with that side of blues playing.

Christopher will show you how to move the familiar pattern of the earlier solo guitar blues orchestration tutorials to any fretboard position by barring with the index finger and using it as a sort of movable capo. These new options will give us new skills and tools to play more varieties of blues type patterns!

Christopher will show a new way to play a blues type arrangement for solo guitar. We'll move the standard boogie diad pattern up an octave to have motion in the upper register while making the bass notes more static.

Christopher will show you a new way to play a blues arrangement for solo guitar. This involves combining a bass line with middle chord tones as well as upper chord tones. In this way we get a very full sound and suggest three separate voices or things happening at once!

Christopher will show you new ways to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time. We'll also add a variety of classic blues walking bass lines.

Christopher will show you new ways to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time. We'll also add a variety of classic blues turnarounds.

Christopher will show you how to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time.

Whenever you want to learn to play a style of music, the most important thing to do is to listen to it and imitate what you hear. But in order for you to be able to imitate what you hear, you need a basic understanding of the notes and techniques that are used. The good thing about the blues is that it ultimately comes down to just a handful of notes, played in different octaves and places on the neck, and in this tutorial I will break that down for you.

In this tutorial we're going to "up the ante" a bit. We'll take another blues lick that's slightly more challenging and go through a similar process as in the previous tutorial, changing the lick up and playing it along with a backing track.

In this second "building blocks" tutorial on blues, we'll take longer fragments of licks and how to creatively put them together. Then we'll look at how to change up the rhythm and timing, repeating notes, and other variations and play them along with a backing track. We'll also look at playing in different keys, and how the same note can be played different places on the neck.

In this blues level 2 tutorial, we'll take a look at some basic building blocks to get you started on creating your own licks and building a blues vocabulary. We'll look at the importance of the root note, adding hammer-ons and pull-offs, a bend, combining these ideas, and playing them with backing tracks.

In this series of blues course lessons, we'll take a simple A minor pentatonic scale and explore how much music can be made with one lick. We'll break down the lick, work on making it your own, then try trading fours with a backing track!

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

Learning to switch between the wide strumming of a whole chord and the smaller motions of playing one string or note at a time is an important skill to develop. In this tutorial we'll use a simple blues rhythm and some fills as an exercise to learn that technique!

By the end of this tutorial, you should be able to play a basic 12 bar blues using simple open chords and combine it with simple lead fills by alternating between the rhythm chords and single note lead fills.

Learning to switch between the wide strumming of a whole chord and the smaller motions of playing one string or note at a time is an important skill to develop. In this tutorial we will learn to play a basic 12 bar blues using simple open chords and combine it with simple lead fills by alternating between the rhythm chords and single note lead fills.

Bread & butter means the central or fundamental part of a thing. It also means how you earning a living; how you earn you bread to pay for your bread & butter! In this tutorial we'll learn another, more advanced major pentatonic lick that you've heard many times.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions, chord voicings and lead licks! First we'll look at a chord progression that's not the standard 12 bar form. Next we'll add some extended chord voicings. Next, we'll add some licks that are more chord tone based than standard pentatonic. Finally, we'll put them all together in some play alongs to practice these new ideas.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions, chord voicings and lead licks! This time we're going to use the 12 bar blues form as a standard, but add more chords to the progression. Next, we'll add some lead licks to play over our new chord progression. Finally, we'll put it all together in some play alongs to practice these new ideas.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions and lead licks! We'll take a complex blues chord progression and learn some next level licks that build on the previous tutorial in this series. We'll put them all together in some play alongs to practice these new ideas.

In this set of lessons, Ry Kihn will teaching you how to play major and minor pentatonic scales in a solo. Ry will introduce you to the tutorial, then examine major pentatonic licks. In the next lesson, we'll be learning how to switch between these scales; then Ry will take a look at the extended major scale with the flat third, making things bluesy. To conclude, we'll put it all together and play with a custom backing track.

In this next set of lessons on bread and butter blues licks, I'll teach you a major pentatonic lick. I'll introduce you to the concepts and lessons and show you the basis of the lick, then how to apply the picking and bending. We'll then play the lick over the IV and V chords, then add some variation. We'll do play alongs in two different tempos before we examine the lick in a straight 8th rhythm. We'll conclude with 2 more play alongs.

As many techniques, scales, and chords that are used in blues music; at it's core blues was developed by players whom were self taught and played without these concepts in mind. In this tutorial, we are going examine some unique techniques and ideas that are used often by blues players. This will include using a capo, blues shredding, using your fingers to solo, along with hybrid picking techniques. All of these ideas will help you sound more authentic when playing the blues and will carry over into other areas of your playing as well. Let's get started!

A technique unique to the guitar, bending in blues is almost as key as the 12 bar form itself. Used primarily in soloing, this technique can be explored in a variety for different to create vocal like lines and memorable hooks. We will be exploring multiple techniques with bending in this tutorial, including bending major/minor thirds, bending up one note and down another, among others. All examples are in the key of C and we will play along to some backing tracks to hear how these sound in our solos. Let's get started.

Using a bottleneck slide is an expressive technique often used in blues. In this tutorial, we'll look at basic slide technique, open D tuning and standard tuning, some Duane Allman approaches, how to play slow blues slide, and pedal steel 3rds. We'll conclude by jamming along with a backing track.

The use of vibrato is an effect that is unique to all string instruments and all the more effective when used on the guitar. In blues playing, the use of vibrato is key and each blues player has his or her own vibrato. When used wisely, it can make even the simplest phrases and solos sound very effective. In this tutorial we are going to take a look at a few different types of vibrato that are both artist specific and usable by any guitarist at any level. Let's get started!

In this set of lessons, I'll teach you a "bread and butter" blues lick that you can use in almost any blues solo. I'll start with an introduction to the lick, then how to do the tricking picking and bending. The we'll play the lick using the IV and V chords, then we'll review the whole 12 bar form before we do two play alongs in different tempos. Next we'll look at straight 8th rhythm, and finish up with two more play alongs.

In this tutorial I've created a 12 bar blues backing track in every key and at two tempos (80 BPM and 120 BPM). I play each blues with a different rhythm guitar and lead guitar approach to show how much variation is possible within the 12 bar blues form. This is a valuable way to get used to playing in every key and comfortable with playing anywhere on the fretboard.

Christopher will show you how to spice up your blues licks by adding major scales notes to the minor pentatonic "box" blues shapes. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones.

In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorial "Major Notes in Pentatonic Minor".

In this third tutorial of the series we will focus only on targeting chord tones in order to learn more ways to spice up the minor pentatonic "box" blues shape with notes from the major scales. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials from the series on "Major Notes in Pentatonic Minor". For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major.

In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials in the series "Major Notes in Pentatonic Minor".

Christopher will show you how to really spice up your blues lead playing with these advanced licks! First we'll look at the basic pentatonic minor box as scale degrees. Then we'll do the same for the mixolydian mode. Then we'll start building licks from combining those two scales and play them over the changes of a 12 bar blues in A.

British Blues is a style of music that was not only important musically, but had strong social impact as well. The popularity of American blues artists such as John Lee Hooker and Muddy Waters in the U.K had a huge impact on the culture, and eventually the blues was no longer strictly a black style of music. The player with the strongest impact on the British Blues Movement of the 60's and 70's was Jon Mayall, whose band the Bluesbreakers went on to springboard the careers of Eric Clapton, Mick Taylor, and Peter Greene amongst many others. In this tutorial, we are going to take a look at these players and their influence on this ever important movement in blues history. Let's get started.

Texas is home to many legends of the blues such as Stevie Ray Vaughn, Lightnin' Hopkins, T-Bone Walker, and many more. In this tutorial, we will examine both the acoustic and electric sides of this style; focusing on players in the genre and their approaches to the instrument. All examples are in the key of E.

The roots of electric blues are found in the sounds of the Windy City; also known as Chicago. The sounds of Chicago Blues trace back to when migrant workers from the south moved north to bigger cities to seek employment. What they brought with them was a rich tradition of Delta blues, but than amplified that with an electric guitar along with added instrumentation. Some key players to this style include Muddy Waters, Buddy Guy, and many many more. In this tutorial, we will look at the grooves and chordal concepts of this style; focusing on rhythm guitar techniques and artist examples. Let's get started!

The roots and origin of the blues language are firmly planted in the players of the Mississippi Delta area. Players such as Robert Johnson and Son House shaped the style to come and paved the way for a musical tradition that changed the entire world. The roots of almost every style of modern music can be traced back to the Delta, and our lessons today will give you an introduction to this all too important region. Using an acoustic guitar, open tunings, and a slide; let's explore this style.

The blues of New Orleans is most often rooted in the signature rhythms played by drums and piano. The grooves and "second line" rhythms in this style are true to the region all their own and are a mixture of many styles of music. The coming together of these styles and it's unique groove (rooted in the "clave") account for a blues style that is both unique and fun to play. While not often associated with guitar, I am going to show you in this tutorial how I would approach this style in a live situation. We will be taking licks and ideas from other instruments and applying them to the guitar to try and mock this style.

Jazz, like most modern music styles, is rooted in the blues tradition. Having an understanding of Jazz Blues is a great introduction to the world of jazz and it's wide world of possibilities. In this tutorial, we will break down how to turn your standard 12 Bar Blues into a Jazz Blues via a step by step process. Each lesson will take the form a step further, introducing you to some new chords and ideas within the blues. Explore each lesson thoroughly and work to fully understand how to turn your standard blues into a Jazz Blues.

In this tutorial we will learn and play an 8 bar blues. We'll use a classic ascending chord progression, then add some circle of fifths motion to give it a slightly R&B or jazzy sound. We'll also learn some classic bluesy licks to play over the progression following the chord changes.

In this tutorial we'll learn a 16 bar blues in C. We'll play rhythm and lead guitar parts. We'll also use some jazzy elements to spice up the turnaround.

Christopher will show you how to turn the old Christmas standard tune "Jingle Bells" into a swinging blues tune with a harmonized diad melody, some fun bluesy licks for a solo and a rocking rhythm guitar.

In this tutorial we'll zoom out and look at the big picture of blues musicianship: improvisation, using backing tracks, playing live, and writing music. These aren't playing lessons per se, although we use a couple of backing tracks for demonstration; these lessons are intended for you to step backk and take a look at the big picture, and put your playing into a context.

In this tutorial we will learn to build another blues guitar arrangement. We'll use various rhythm and lead guitar techniques and combine them in a dramatic way to build and release tension over the course of many repeated passes at a 12 bar blues form. We'll experiment with loud & quiet dynamic levels, various approaches to alternating rhythm and lead guitar parts.

Christopher will show you how to build a blues arrangement. We'll use various rhythm and lead guitar techniques and combine them in a dramatic way to build and release tension over the course of many repeated passes at a 12 bar blues form. We'll experiment with loud & quiet dynamic levels, various approaches to alternating rhythm and lead guitar parts.

In this tutorial we will learn 3 whammy bar tricks to spice up your blues playing technique.

Jorma Kaukonen started here. Taj Mahal, and Keb' Mo' too, plus dozens of other acoustic blues masters. Even if you're new to fingerpicking, this tutorial will walk you step-by-step through learning to play the fingerstyle blues, and load you up with an impressive collection of tricks and riffs you can toss in at any time. You'll even learn to write your own blues song!

In this set of lessons I'll give you some ideas for playing the blues with a drop D tuning and a bottleneck. I'll cover the drop D tuning, talk about the basic technique, then get into some chords. Then I'll teach some melodic ideas and groove examples, and give you a summary of ideas to create an entire tune.

"Bad Blues" will give you some ideas on how to play blues in a rubato style - without real timing. This gives you freedom to play blues with full expression and dynamics. I'll teach picking technique, then show you several licks to play. I also talk about sound settings, because they are also part of your dynamic expression.

In "Bad Blues 2", I'll teach you to play a theme I composed. I'll talk a bit about the theme, then show you a vibrato exercise. In lesson 3 I'll show you the first part, using the vibrato. In the next lessons I'll show you parts 2 and 3 and how you can create variations. To conclude I'll put it all together and play the theme for you.

In this set of lessons I'll teach you a short simple original song, "Arizona Blues". I'll introduce the tune to you, then show you how to play the two main parts. Next I'll put the two parts together for you, then get into the hammer-on and bluesy licks. I'll play the song through for you, then finish by explaining a bit of my philosophy behind it.

In this tutorial you'll learn to play a minor blues with some rock elements, and you'll learn to play dynamically by using specific sound settings and playing techniques to create feeling. We'll talk about sound and tone, then look at the chords. The next four lessons will focus on licks you can play over the minor blues progression, and in the final lesson we'll put it all together and play through the whole song.

In these lessons you'll learn some ideas about how to play an orchestral slow blues and solo licks in the key of E. We'll work on some rhythm ideas, talk about timing, sound and feeling, and good combinations of solo licks. Last, we'll put these elements together as we play through this slow blues progression.

Tome will show you essential aspects of Guy's playing style and music across many decades has inspired players to learn about the blues of the past, bring those traditions to the present and expand on them into the future! Through his playing and showmanship, he directly influenced the early rock legends of the 60s. Clapton, Page, Beck & Hendrix all took a cue & a few licks from Buddy Guy!

Dave breaks down Stevie Ray Vaughan's style into several key factors, showing you what makes it special, and then teaching you to play some licks in his style!

There are many different kinds of amplifiers to choose from. These are 3 primary amp styles on which most models are based, and here we'll look at 2 tube amps and a solid state amp. Use this demonstration by a pro to get a good idea of what kind of amp best suits your style.

This tutorial will give you the know-how to identify and put together great gear to get the tone you want. With these lessons, we hope to take away some of the work it takes to find the right effects and make the most of your hard-earned dollars. We'll look at overdrive, distortion, tremolo, delay, wah, fuzz, and vibe pedal.

These non-playing lessons will do a side-by-side comparison of guitar tones, amp tones, and the difference in tones created by the most common effects used by blues guitarists. We'll look at several tone configurations to give a good overview of the variety of choices available to get killer blues tone.

In this tutorial we'll walk you through the sounds and electronic configurations available on the most popular guitars in the market: semi-hollow body, Les Paul, SG, Telecaster, and more. You will have a great idea of what guitar will give you the sound you want, to become the blues player you want to be.

In this tutorial we'll answer questions about the tonal differences between using your fingers instead of a pick. We'll also look at the bottleneck slide, then how to use a capo. All these are important components of getting great blues tone and style.

Tom will show you how the guitar weaves super tasty lines and occasional chords between and around the vocals to create an exciting and dynamic arrangement of a simple form!

Tom will show you all the parts to this classic blues tune: the intro, the melody, the sax solo comping and the verse comping.

In this blues tutorial, Anders Mouridsen will teach you "Smokestack Lightning", by Howlin' Wolf. This is a one-chord blues based around a repeating riff, and after an overview of the song and talking about the gear and tones Anders will break down that main riff. Next up will be the supporting rhythmic line that's played along with the riff; then you'll learn some variations to the main riff. We'll cap it all off with a play along, then you take over in the jam along.

In this tutorial Tom will show you the guitar parts to this iconic blues tune. You'll learn the swinging groove that forms the verses and the outro. The song is in the key of E and is 4/4 time with a quarter note of 110BPM.

"The Sky Is Crying" is a widely-covered blues standard; in this tutorial we're going to take a look at Stevie Ray Vaughan's powerful version of the song. We'll break down some key elements in his playing style, take you through some tricky spots, and finally play through the whole song "note for note". Take anything you like from this blues classic and use it in your own playing!

In this tutorial you'll learn how to play the classic blues song as made famous by the one and only Muddy Waters. This song is an absolute blues classic and it's been covered by pretty much any blues artist to ever walk this earth. It's also very much a part of the "standard" blues repertoire that every blues player is expected to know.

Tom will show you both guitars in this iconic blues tune, including the verses and the solo.

Mike will show you killer blues licks in BB's distinctive style, a swinging blues feel, and playing in call and response in the 12 bar blues form.

Before You Accuse me was written in 1958 by Elias McDaniel (also known as Bo Diddley). In this tutorial, we take a gander at an acoustic version of the song made famous by Eric Clapton, focusing on right hand fingering techniques, the middle and outro solos, the rhythm guitar parts, then lay it all down to a backing track.

In this set of lessons, Jinx Jones will teach "Bright Lights, Big City", as made famous by Jimmy Reed. We'll look at the 12 bar blues progression after a song introduction and the gear and tone; then learn the song intro. The verse rhythm guitar comes next, and an alternate verse rhythm. We'll adapt the harmonica solo to guitar, then do full and single guitar performances and a jam along.

We’ve arranged this 12 bar blues classic in a made easy format for acoustic guitar with simplified chords and strumming. If you’re up for a challenge, we’ve also included a bonus lesson to learn how to play the song with a boogie diad approach. This song uses open 7th chords, the 12 bar blues form, and a steady strumming pattern.

In this tutorial, Tony Lee will teach "Still Got the Blues", by Gary Moore. Tony will introduce the song then talk about gear and tone before launching into the clean rhythm parts: intro, chorus, verse, bridge, and the parts under the solos. Then it's on to the lead parts (guitar 2): the fills in the intro, verse, and bridge, then all the epic soloing. We'll conclude with a full performance, then do 2 jam alongs.

Caren will show you a made easy arrangement of this Robert Johnson classic based on a version by Eric Clapton. The 12 bar blues form is fundamental to the genre, and has been used repeatedly for countless songs.

Tom will show you the basic rhythm guitar parts as well as short solos in the style of three great players: BB King, Eric Clapton and Stevie Ray Vaughan.

Anders will teach you the iconic blues-rock song "Mary Had A Little Lamb", as made famous by Stevie Ray Vaughan. This is a really fun song, packed with classic SRV blues/rock vocabulary, and even though this song is somewhat short and concise, there's rhythm and lead material enough in it to last you a lifetime. This song is performed as a "power trio" meaning the guitar only has bass and drums backing it up, and it's the perfect exercise in seamless switching between rhythm and lead playing as well as strumming and single note picking.

In this song tutorial, Henrik Linde will teach "Baby, Please Don't Go", as made famous by Muddy Waters. Henrik will open with a song introduction and a look at the gear and tone, then launch in with the main guitar lick that plays off the vocals. Next up is the short but sweet solo, then the rhythm guitar part that's underneath the solo. We'll do full and single guitar performances, then you'll take over in the jam along.

In this blues song tutorial, Anders Mouridsen will be breaking down the song "Boom Boom", by John Lee Hooker. First we'll talk a bit about the gear and getting the darker, "muffled" tone, then we'll pick apart the main riff and talk about John Lee's unique right hand technique. There's a lot of "free" jamming and soloing in this song, and Anders will break all that down for you. To close, we'll do a full play along performance, and then mute the guitars to you can jam along on your own.

In this tutorial Tom will show you the guitar parts to this iconic blues tune. You'll learn the tasty call and response guitar parts for the intro, verse 1, verse 2, & verse 3. The song is in the key of A-flat and is in 12/8 with a quarter note of 75BPM. Let's get started!