Dominant 7th chords in three keys.

In this tutorial I'm going to show you some alternative "voicings" of the chords used in the blues. When you arrange the notes of your chords differently, take out or add certain notes, you can get many different sounds and possibilities out of them. In this tutorial we are gonna explore some of these sounds and look at how they are used in the context of the blues.

In this tutorial we will through the basics of voicing, left hand muting, strumming and palm muting power chords. Getting comfortable with this will ultimately enable you to play the 12 bar form in any key as well as adapt your rhythm playing to different blues grooves!

In this tutorial we will be using the power chords that you learned earlier to play some blues. We are gonna talk about how to find the power chords for the 12 bar form in any key and try it out the "the band". We are also gonna cover a really useful blues "riff" played with power chords that you often hear in slow blues tunes.

In this tutorial I will show you how to play basic barre chords and how to use them in a blues context. The basic barre chord shapes can be very hard to play at first, but if you fight through the pain, I will show you how to use them in a blues context. These are really useful guitar skills that you are going to use for years and years to come, in blues and in all other styles of music, so don't give up on it just because it seems difficult at first!

In this tutorial we'll examine different types of basic blues rhythm riffs: the classic blues riff with triads, one and two note riffs, using "outside" triads, and a funky horn section style riff.

In this tutorial we're going to look at three different rhythmic feels that are used in the blues. For each of these "grooves" I will explain what the drummer and the bass player are most likely to be playing, and I will show you a guitar part that fits it. This will give you a good understanding of the different types of blues grooves and what to play over them!

While soloing is an ever important part of playing the guitar, roughly 90% of the time as guitar players we are playing rhythm. In this tutorial, we are going to take a look some advanced rhythmic concepts and chord licks that you can use in your rhythm playing in not just blues, but in all styles. It is important to note too that you can use these skills in your soloing as well. Let's take a look.

In this tutorial we're going to focus on your right hand by breaking down a couple of really useful strumming patterns for the blues. Chord voicings and left hand technique is very important, but right hand chops and different rhythmic approaches are just as important!

This tutorial shows how to play a basic shuffle boogie blues, plus some rhythmic variations using 2 and 3 note chord voicings.

In these lessons I will introduce you to some really useful techniques like bending, vibrato and hammer-ons and pull-offs, so that you can start working on your feel. Great feel doesn't come from these techniques alone, but learning them will help you get in touch with that side of blues playing.

In this series of blues course lessons, we'll take a simple A minor pentatonic scale and explore how much music can be made with one lick. We'll break down the lick, work on making it your own, then try trading fours with a backing track!

In this blues level 2 tutorial, we'll take a look at some basic building blocks to get you started on creating your own licks and building a blues vocabulary. We'll look at the importance of the root note, adding hammer-ons and pull-offs, a bend, combining these ideas, and playing them with backing tracks.

In this second "building blocks" tutorial on blues, we'll take longer fragments of licks and how to creatively put them together. Then we'll look at how to change up the rhythm and timing, repeating notes, and other variations and play them along with a backing track. We'll also look at playing in different keys, and how the same note can be played different places on the neck.

In this tutorial we're going to "up the ante" a bit. We'll take another blues lick that's slightly more challenging and go through a similar process as in the previous tutorial, changing the lick up and playing it along with a backing track.

Whenever you want to learn to play a style of music, the most important thing to do is to listen to it and imitate what you hear. But in order for you to be able to imitate what you hear, you need a basic understanding of the notes and techniques that are used. The good thing about the blues is that it ultimately comes down to just a handful of notes, played in different octaves and places on the neck, and in this tutorial I will break that down for you.

In this tutorial, we are going to examine the technique of playing chord tones in our soloing. This essentially means that we are going to solo playing only the notes in the chords we are playing over, as opposed to just running scales. This technique is very helpful in aiding the listener in hearing the chords you are playing over. This gets you out of the habit of just running scale patterns, and also helps you to sound more authentic in your soloing. In this tutorial, we will be playing these licks without a backing track and will outline the notes in our I, IV, and V chords. Let's get started.

Bring your blues scale into a performance context.

In this lesson we are gonna explore the sound of the minor blues. After breaking down the basic chord structure of the 12-bar minor blues form, I will show you how to play it with barre chords. After that we are gonna look at a common "turnaround" variation that you often hear in minor blues, and finally I will show you how to change the key of the minor blues, so that you can adapt the overall chord structure to any given song...

Learn what you can do to start finding your own voice in your soloing, using the minor scale.

While it is always important to learn licks and better your soloing ability, it is also important to figure out what you want to say with those skills. This is called "phrasing," and it can take a lifetime to truly get this concept down; communicating a unique voice on the instrument. In this tutorial, we are going to teach you how you can assemble all of those licks and skills into a meaningful vocabulary on the instrument that is unique to you. Let's get started.

No matter what style of music it is, it seems as though blues works it's way into it in some way or another. When it comes to soloing, blues licks are prominent in everything from pop to metal and beyond. In this tutorial, I am going to show you how you can apply your blues licks to other styles of music. This will help see the connection and history behind the power of the blues, and work to show you how you might already have the blues in your playing already. Let's get started.

As many techniques, scales, and chords that are used in blues music; at it's core blues was developed by players whom were self taught and played without these concepts in mind. In this tutorial, we are going examine some unique techniques and ideas that are used often by blues players. This will include using a capo, blues shredding, using your fingers to solo, along with hybrid picking techniques. All of these ideas will help you sound more authentic when playing the blues and will carry over into other areas of your playing as well. Let's get started!

A technique unique to the guitar, bending in blues is almost as key as the 12 bar form itself. Used primarily in soloing, this technique can be explored in a variety for different to create vocal like lines and memorable hooks. We will be exploring multiple techniques with bending in this tutorial, including bending major/minor thirds, bending up one note and down another, among others. All examples are in the key of C and we will play along to some backing tracks to hear how these sound in our solos. Let's get started.

Using a bottleneck slide is an expressive technique often used in blues. In this tutorial, we'll look at basic slide technique, open D tuning and standard tuning, some Duane Allman approaches, how to play slow blues slide, and pedal steel 3rds. We'll conclude by jamming along with a backing track.

The use of vibrato is an effect that is unique to all string instruments and all the more effective when used on the guitar. In blues playing, the use of vibrato is key and each blues player has his or her own vibrato. When used wisely, it can make even the simplest phrases and solos sound very effective. In this tutorial we are going to take a look at a few different types of vibrato that are both artist specific and usable by any guitarist at any level. Let's get started!

In this tutorial, we're going to go through six different exercises that will help improve your blues playing. First we'll do a basic pentatonic workout using alternate picking; then we'll do a hammer-on and pull-off workout. Next we'll work in grops of four, then do a triplet workout. Finally, we'll do a strumming workout and an exercise on arpeggios, using the myxolydian scale.

In this tutorial I will give you a brief explanation and a musical sample of some of the most well-known regional blues styles. I'm gonna introduce you to the sound of the acoustic Delta Blues, Chicago Blues, New Orleans Blues and more, so that you can start being aware of where the blues originated. Knowing some of the origins of the blues will help you determine what styles you like, and what your goal is with learning the basics of the blues.

British Blues is a style of music that was not only important musically, but had strong social impact as well. The popularity of American blues artists such as John Lee Hooker and Muddy Waters in the U.K had a huge impact on the culture, and eventually the blues was no longer strictly a black style of music. The player with the strongest impact on the British Blues Movement of the 60's and 70's was Jon Mayall, whose band the Bluesbreakers went on to springboard the careers of Eric Clapton, Mick Taylor, and Peter Greene amongst many others. In this tutorial, we are going to take a look at these players and their influence on this ever important movement in blues history. Let's get started.

Texas is home to many legends of the blues such as Stevie Ray Vaughn, Lightnin' Hopkins, T-Bone Walker, and many more. In this tutorial, we will examine both the acoustic and electric sides of this style; focusing on players in the genre and their approaches to the instrument. All examples are in the key of E.

The roots of electric blues are found in the sounds of the Windy City; also known as Chicago. The sounds of Chicago Blues trace back to when migrant workers from the south moved north to bigger cities to seek employment. What they brought with them was a rich tradition of Delta blues, but than amplified that with an electric guitar along with added instrumentation. Some key players to this style include Muddy Waters, Buddy Guy, and many many more. In this tutorial, we will look at the grooves and chordal concepts of this style; focusing on rhythm guitar techniques and artist examples. Let's get started!

The roots and origin of the blues language are firmly planted in the players of the Mississippi Delta area. Players such as Robert Johnson and Son House shaped the style to come and paved the way for a musical tradition that changed the entire world. The roots of almost every style of modern music can be traced back to the Delta, and our lessons today will give you an introduction to this all too important region. Using an acoustic guitar, open tunings, and a slide; let's explore this style.

The blues of New Orleans is most often rooted in the signature rhythms played by drums and piano. The grooves and "second line" rhythms in this style are true to the region all their own and are a mixture of many styles of music. The coming together of these styles and it's unique groove (rooted in the "clave") account for a blues style that is both unique and fun to play. While not often associated with guitar, I am going to show you in this tutorial how I would approach this style in a live situation. We will be taking licks and ideas from other instruments and applying them to the guitar to try and mock this style.

Jazz, like most modern music styles, is rooted in the blues tradition. Having an understanding of Jazz Blues is a great introduction to the world of jazz and it's wide world of possibilities. In this tutorial, we will break down how to turn your standard 12 Bar Blues into a Jazz Blues via a step by step process. Each lesson will take the form a step further, introducing you to some new chords and ideas within the blues. Explore each lesson thoroughly and work to fully understand how to turn your standard blues into a Jazz Blues.

In this tutorial, Anders Mouridsen will reveal some of the secrets in the style of blues legend Albert King. We'll start off with an introduction to Albert's approach, then look at his touch, tone, and use of the pentatonic "box". Next we'll examine his aggressive bending style, then break down three licks: one fill lick between vocal phrases, a typical King-style soulful lick, and a turnaround lick. We'll conclude with a jam.

B.B. King is one of the true all-time greats of the guitar; his style is synonymous with the blues! In these lessons we are going to show you some techniques and approaches in the style of B.B. King: starting off a blues tune, using space and phrasing, bending strings, the use of turnarounds, and some soloing approaches. Take these elements and work them into your own sound!

Freddie King is another essential figure in blues history, who's style has inspired many of the blues and rock greats that we know today! In this tutorial, we'll take a look at some ways that we can work some basic components of Freddie's style into our own playing by using double stops, outlining the IV and V chords, turnarounds, using a thumb pick and a metal pick on your first finger, and we'll jam with a backing track too!

In this tutorial we'll explore different "micro positions" or "blues boxes" all over the neck and make some music with the notes that we find. Aside from claiming new territory on the neck, you'll be introduced to the concept of improvising and some useful things to keep in mind when you do this! Whether you wanna play blues, rock, funk, jazz, or even polka this is a great place to start.

The old blues guys made music history with just a handful of notes, so there are obviously a lot of other elements to a great blues solo than just great note choice. There is the "feel" that we covered earlier, the tone of your gear, which you will learn about later, but most importantly there is the rhythm and timing of your licks and notes. This is the concept that, above all the others, will make you sound like a blues guy. So in this tutorial we're going to experiment with the sound of different "subdivisions" and timing concepts.

In this tutorial we are gonna take the blues riff that you learned earlier and adapt it to any given key, all over the neck. Once we have covered the basics of that, we're gonna use it to play through the 12 bar form with "the band" in different keys. We are also gonna look a cool variation of the riff...

The "turnaround" is an essential part of playing blues of any style or region. The turnaround is essentially an end lick you play to show you are at the end of your 12 Bar Blues, and that you are ready to start the progression again. You can play this with chords, solo licks, and a wide variety of other approaches. In this tutorial, we will take a look at a few different turnarounds you can use in your blues playing to really showcase your own authenticity. Again, the turnaround really shows other players you know your blues and it also helps you to know where you are in the 12 bar form.

We are all familiar with a 12 Bar Blues. This widely used form has crossed genres and borders into what is probably the most common musical form we are all familiar with. Although the 12 form is the dominant force in blues (among other styles), their also exists many other blues forms that are used quite often as well. In this tutorial, we will take a look at some of these varied forms and see what we can do to integrate them into our playing. This includes the 8 Bar Blues and a swing blues as well as working with other chords instead of the I, IV, and V. Let's take a look!

In this tutorial we'll learn the 12 bar form in the context of the blues. Step by step, we will go from playing through the 12 bar form with basic open chords to adding the bluesy dominant 7 chords, a turnaround lick, and much more. After each lesson, we will try out the new "tricks" with an authentic blues backing track.

In this tutorial we are going to break down a classic blues riff. You are probably already familiar with the sound of it, but now you will learn how to play it, how to use it to play through the 12 bar form and how to add a cool "lick" to it.

In this tutorial we're going to look at some of the most common variations of the 12-bar form, so that you can recognize them when you hear them and use them if you write songs. After each lesson we will play through the 12 bar variation with "the band".

In this tutorial we are gonna work on a 12-bar blues progression in the key of E. After breaking down the basic chord structure and chord voicings, we will look at another authentic sounding variation of the blues riff that you learned earlier. After each lesson we will try out the new examples with "the band"...

Andy Gurley takes a look at the blues scale and it's relationship to the minor pentatonic.

This tutorial gives you an introduction to the concept of the riff, as applied to blues.

An introduction to basic open and barre forms of minor and dominant chords.

To take the previous "straight versus swing" lessons into the area of the blues shuffle, the primary feel of the blues.

Andy Gurley takes a look at the minor pentatonic scale.

There are many different kinds of amplifiers to choose from. These are 3 primary amp styles on which most models are based, and here we'll look at 2 tube amps and a solid state amp. Use this demonstration by a pro to get a good idea of what kind of amp best suits your style.

This tutorial will give you the know-how to identify and put together great gear to get the tone you want. With these lessons, we hope to take away some of the work it takes to find the right effects and make the most of your hard-earned dollars. We'll look at overdrive, distortion, tremolo, delay, wah, fuzz, and vibe pedal.

These non-playing lessons will do a side-by-side comparison of guitar tones, amp tones, and the difference in tones created by the most common effects used by blues guitarists. We'll look at several tone configurations to give a good overview of the variety of choices available to get killer blues tone.

In this tutorial we'll walk you through the sounds and electronic configurations available on the most popular guitars in the market: semi-hollow body, Les Paul, SG, Telecaster, and more. You will have a great idea of what guitar will give you the sound you want, to become the blues player you want to be.

In this tutorial we'll answer questions about the tonal differences between using your fingers instead of a pick. We'll also look at the bottleneck slide, then how to use a capo. All these are important components of getting great blues tone and style.

In this tutorial we'll answer questions about the tonal differences between using your fingers instead of a pick. We'll also look at the bottleneck slide, then how to use a capo. All these are important components of getting great blues tone and style.

Here you'll learn many tricks so you can play great blues in the style of Ry Cooder with your bottle neck, using a drop D tuning. You'll start from the basics, go through several examples, and at the end you'll be able to create your own version.

In this set of lessons I'll give you some ideas for playing the blues with a drop D tuning and a bottleneck. I'll cover the drop D tuning, talk about the basic technique, then get into some chords. Then I'll teach some melodic ideas and groove examples, and give you a summary of ideas to create an entire tune.

"Bad Blues" will give you some ideas on how to play blues in a rubato style - without real timing. This gives you freedom to play blues with full expression and dynamics. I'll teach picking technique, then show you several licks to play. I also talk about sound settings, because they are also part of your dynamic expression.

In "Bad Blues 2", I'll teach you to play a theme I composed. I'll talk a bit about the theme, then show you a vibrato exercise. In lesson 3 I'll show you the first part, using the vibrato. In the next lessons I'll show you parts 2 and 3 and how you can create variations. To conclude I'll put it all together and play the theme for you.

In this set of lessons I'll teach you a short simple original song, "Arizona Blues". I'll introduce the tune to you, then show you how to play the two main parts. Next I'll put the two parts together for you, then get into the hammer-on and bluesy licks. I'll play the song through for you, then finish by explaining a bit of my philosophy behind it.

In this tutorial you'll learn to play a minor blues with some rock elements, and you'll learn to play dynamically by using specific sound settings and playing techniques to create feeling. We'll talk about sound and tone, then look at the chords. The next four lessons will focus on licks you can play over the minor blues progression, and in the final lesson we'll put it all together and play through the whole song.

In these lessons you'll learn some ideas about how to play an orchestral slow blues and solo licks in the key of E. We'll work on some rhythm ideas, talk about timing, sound and feeling, and good combinations of solo licks. Last, we'll put these elements together as we play through this slow blues progression.

Who says you can't play a tasty blues solo using only a few notes? In this tutorial you'll learn how to create a blues solo using only a few notes on one or two strings. We'll break down lots of very simple licks here, using on-screen graphics and played at half and quarter speeds so you can get them under your fingers.

In this tutorial of 15 lessons, Ill be teaching you numerous blues licks that are "in the style of" the players that have been my favorites and inspired me over the years. Each lesson contains one or more licks, often several, that are used in the context of a solo over the 12 bar blues form in the key of G. I'll use on-screen graphics to help you out, and also use slo-mo so you can really "get it".

The six lessons in this tutorial will tune you into some ways to play blues leads higher up the neck. In lesson one I'll show you how to emphasize the II note, F#, in the E minor pentatonic scale. Next I'll focus on the V note, B, and employ a bend in three short solos. Lesson 3 shows a simple blues riff that's made into a solo; following that I'll break down a relatively easy solo. Lessons 5 and 6 demonstrate the E minor pentatonic scale on the 12th to 15th frets and beyond.

This series of lessons demonstrates some funky fill notes that accompany a I-IV-V blues in the key of C. These fill notes are taken from the blues scale, and include the I, V, dominant 7, and octave. After demonstrating the chords used, I show you several variations with these notes that you can use to play fills over the chords.

In this tutorial I'll show you how to take a different approach to a turnaround by moving to the IV chord. We're using a progression in the key of A that I'll show you in the first lesson. Then we'll look at how to use the A minor pentatonic scale in this context, followed by the A dorian scale. In the last lesson I'll show you some licks using both scales.

In this tutorial I'll show you some approaches to playing over southern rock style rhythms. First is the G minor pentatonic scale over a funky rhythm and a simple 2 note lick. In lesson two, I'll demo the chords in the key of G and play some funkified rhythms. Next up are some single-note fills, followed by a chordal fill. In lesson 5 we'll use the dorian scale in this context. Last, I'll show you another southern rock style lick.

In this tutorial we'll explore a wide variety of scales and licks that work with a 3 chord progression in the key of C. The 3 chords we'll be using are C (the I chord), F (the IV chord), and Bb ( the dominant VII chord). This chord progression has been used in many southern rock and blues rock songs.

In the weekly Guitar Tricks Channel, Neal Walter will show you in an fun, quick, engaging way how to play the blues. These episodes from 2009 to 2011 cover a variety of blues topics and even feature a special guest - Anders Mouridsen stops by to jam with Neal live in the studio.

These Guitar Tricks Channel episodes from 2011-2012 sample great blues topics like two-note chords, vibrato, chromatics in the blues, Texas style blues, and coping the style of Stevie Ray Vaughan.

These Guitar Tricks Channel episodes from 2013 will teach you more blues riffs and tricks, including turnarounds, call and response, Texas boogie, major blues, subtlety in lead playing, and a variety of bending techniques.

Christopher will show you how to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time.

Christopher will show you new ways to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time. We'll also add a variety of classic blues turnarounds.

Christopher will show you new ways to play a blues type arrangement for solo guitar. To orchestrate means to put many parts together. In this tutorial we'll combine a walking bass line with upper chord tones. The end result is two parts playing together at the same time. We'll also add a variety of classic blues walking bass lines.

Christopher will show you how to move the familiar pattern of the earlier solo guitar blues orchestration tutorials to any fretboard position by barring with the index finger and using it as a sort of movable capo. These new options will give us new skills and tools to play more varieties of blues type patterns!

Christopher will show a new way to play a blues type arrangement for solo guitar. We'll move the standard boogie diad pattern up an octave to have motion in the upper register while making the bass notes more static.

Christopher will show you a new way to play a blues arrangement for solo guitar. This involves combining a bass line with middle chord tones as well as upper chord tones. In this way we get a very full sound and suggest three separate voices or things happening at once!

The <i>First Law of the Blues</i> is the <i>12 Bar Blues Form</i>. By the end of this tutorial you should understand what the 12 Bar Blues Form is and be able to play a simple example of this important idea.

In this set of beginner blues lessons, I'll teach you how to play a simple blues in E. I'll start off with the riff and the triplet shuffle rhythm in E, then move it to A. Next I'll show you how to change those chords in time, then we'll learn the B7 chord. I'll go over the 12 bar form before I show you some fills you can play to spice things up. Then we'll put everything together, and finish up with a play along.

In this Tutorial Series we are going to learning how to play a 12 Bar Blues in A.

In this Tutorial Series we are going to expand upon our 12 Bar Blues in the key of A.

In this tutorial I've created a 12 bar blues backing track in every key and at two tempos (80 BPM and 120 BPM). I play each blues with a different rhythm guitar and lead guitar approach to show how much variation is possible within the 12 bar blues form. This is a valuable way to get used to playing in every key and comfortable with playing anywhere on the fretboard.

Learning to switch between the wide strumming of a whole chord and the smaller motions of playing one string or note at a time is an important skill to develop. In this tutorial we'll use a simple blues rhythm and some fills as an exercise to learn that technique!

By the end of this tutorial, you should be able to play a basic 12 bar blues using simple open chords and combine it with simple lead fills by alternating between the rhythm chords and single note lead fills.

Learning to switch between the wide strumming of a whole chord and the smaller motions of playing one string or note at a time is an important skill to develop. In this tutorial we will learn to play a basic 12 bar blues using simple open chords and combine it with simple lead fills by alternating between the rhythm chords and single note lead fills.

Christopher will show you a basic 12 bar blues in B major in an early rock and roll style that combines and alternates between power chords and basic, beginner lead fills.

In this tutorial we will learn to play a lead fill that uses double stops in a basic 12 bar blues in C major. This is an important step in developing a style that combines and alternates between a blues rhythm riff and a beginner lead fill.

In this tutorial we will learn to play a basic 12 bar blues in G major in a style that combines and alternates between a blues rhythm riff and a lead fill. We'll learn two different turnarounds, use an applied dominant chord and add a bluesy ending lick!

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

Christopher will show you some basic blues licks that form the foundation of blues soloing vocabulary. This includes the following characteristics of blues lead playing: using the blues scale (minor pentatonic scale with flat 5th "blue note"), triplet swing phrasing, dynamics and articulations like sliding and bending. This is essentially a primer on playing single note melody lines in a blues style to start building a repertoire of blues licks.

In this set of lessons, I'll teach you a "bread and butter" blues lick that you can use in almost any blues solo. I'll start with an introduction to the lick, then how to do the tricking picking and bending. The we'll play the lick using the IV and V chords, then we'll review the whole 12 bar form before we do two play alongs in different tempos. Next we'll look at straight 8th rhythm, and finish up with two more play alongs.

In this next set of lessons on bread and butter blues licks, I'll teach you a major pentatonic lick. I'll introduce you to the concepts and lessons and show you the basis of the lick, then how to apply the picking and bending. We'll then play the lick over the IV and V chords, then add some variation. We'll do play alongs in two different tempos before we examine the lick in a straight 8th rhythm. We'll conclude with 2 more play alongs.

Bread & butter means the central or fundamental part of a thing. It also means how you earning a living; how you earn you bread to pay for your bread & butter! In this tutorial we'll learn another, more advanced major pentatonic lick that you've heard many times.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions, chord voicings and lead licks! First we'll look at a chord progression that's not the standard 12 bar form. Next we'll add some extended chord voicings. Next, we'll add some licks that are more chord tone based than standard pentatonic. Finally, we'll put them all together in some play alongs to practice these new ideas.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions, chord voicings and lead licks! This time we're going to use the 12 bar blues form as a standard, but add more chords to the progression. Next, we'll add some lead licks to play over our new chord progression. Finally, we'll put it all together in some play alongs to practice these new ideas.

Christopher will show you how to really spice up your blues rhythm and lead playing with some interesting chord progressions and lead licks! We'll take a complex blues chord progression and learn some next level licks that build on the previous tutorial in this series. We'll put them all together in some play alongs to practice these new ideas.

Christopher will show you how to build a blues arrangement. We'll use various rhythm and lead guitar techniques and combine them in a dramatic way to build and release tension over the course of many repeated passes at a 12 bar blues form. We'll experiment with loud & quiet dynamic levels, various approaches to alternating rhythm and lead guitar parts.

In this tutorial we will learn to build another blues guitar arrangement. We'll use various rhythm and lead guitar techniques and combine them in a dramatic way to build and release tension over the course of many repeated passes at a 12 bar blues form. We'll experiment with loud & quiet dynamic levels, various approaches to alternating rhythm and lead guitar parts.

In this tutorial we will learn 3 whammy bar tricks to spice up your blues playing technique.

Often, we hear of the 12 Bar Blues. But blues doesn't have to be 12 bars or measures! It can be any number of bars or measures that you want. In this tutorial we will learn to play a jazzy 16 Bar Blues in C.

Christopher will show you how to really spice up your blues lead playing with these advanced licks! First we'll look at the basic pentatonic minor box as scale degrees. Then we'll do the same for the mixolydian mode. Then we'll start building licks from combining those two scales and play them over the changes of a 12 bar blues in A.

Christopher will show you how to turn the old Christmas standard tune "Jingle Bells" into a swinging blues tune with a harmonized diad melody, some fun bluesy licks for a solo and a rocking rhythm guitar.

Christopher will show you how to spice up your blues licks by adding major scales notes to the minor pentatonic "box" blues shapes. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones.

In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorial "Major Notes in Pentatonic Minor".

In this third tutorial of the series we will focus only on targeting chord tones in order to learn more ways to spice up the minor pentatonic "box" blues shape with notes from the major scales. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials from the series on "Major Notes in Pentatonic Minor". For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major.

In this tutorial we will learn to spice up the minor pentatonic "box" blues shape with notes from the major scale. For these example exercises we will use the A minor pentatonic scale and a 12 bar blues form in A major. The central idea is to use the pentatonic box as a visual reference while targeting chord tones. The lessons in this series are based on a lot of the ideas we already learned in the previous tutorials in the series "Major Notes in Pentatonic Minor".

In this tutorial, we will learn to play some soulful R&B (Rhytm & Blues) guitar style rhythm parts & lead licks in a major key. This style is rooted strongly in blues and jazz, with distinctly soulful melodies and bittersweet jazzy chords. You can also hear a bit of a funky approach in the use of syncopated, percussive and staccato rhythms.

In this tutorial, we will learn to play some soulful rhythm and blues guitar style rhythm parts & lead licks in a minor key. This style is rooted strongly in blues and jazz, with distinctly soulful melodies and bittersweet jazzy chords. You can also hear a bit of a funky approach in the use of syncopated, percussive and staccato rhythms. We'll put it all together in this tutorial.

The use of sequences are a great way to better your technique and heighten your skill as a blues soloist. In this tutorial, we are going to show you a variety of different ways to approach the scales already used in blues to aid you in having better chops and technique. Make sure to develop these exercises even further as you move through this course; as all are great ways to warm up for your next lesson or gig. Let's get started.

This tutorial has no hands-on examples, yet has some of the most practical advice offered on the site. This is how you should use the information we give you here. This is how you should learn to play in a band situation. This is how you make the most of what you have, even if it's just a few crafty licks. We spend a good deal of time working your vocabulary and chops. Now it's time to make you into a MUSICIAN.

A look at the 12 bar minor blues in 4 keys, with slight variations.

Jorma Kaukonen started here. Taj Mahal, and Keb' Mo' too, plus dozens of other acoustic blues masters. Even if you're new to fingerpicking, this tutorial will walk you step-by-step through learning to play the fingerstyle blues, and load you up with an impressive collection of tricks and riffs you can toss in at any time. You'll even learn to write your own blues song!

In this tutorial we'll zoom out and look at the big picture of blues musicianship: improvisation, using backing tracks, playing live, and writing music. These aren't playing lessons per se, although we use a couple of backing tracks for demonstration; these lessons are intended for you to step backk and take a look at the big picture, and put your playing into a context.

This tutorial will introduce you to six modes that will improve your improvisational skills. We'll examine the ionian, dorian, phrygian, lydian, mixolydian, and aeolian modes in G major, played over an A minor to D progression. I'll use on-screen graphics to give a visual aid.

In this set of lessons, Ry Kihn will teaching you how to play major and minor pentatonic scales in a solo. Ry will introduce you to the tutorial, then examine major pentatonic licks. In the next lesson, we'll be learning how to switch between these scales; then Ry will take a look at the extended major scale with the flat third, making things bluesy. To conclude, we'll put it all together and play with a custom backing track.

In this tutorial, I will show you five ways of spicing up a standard blues turnaround. Learn them, adapt them and make them your own.

Alright guitar players, now we're going to take a look at the 2013 Guitar Tricks channel tips and tricks! Host Anders Mouridsen gives you fun and instructive insights into guitar topics.

Dave breaks down Stevie Ray Vaughan's style into several key factors, showing you what makes it special, and then teaching you to play some licks in his style!

Tome will show you essential aspects of Guy's playing style and music across many decades has inspired players to learn about the blues of the past, bring those traditions to the present and expand on them into the future! Through his playing and showmanship, he directly influenced the early rock legends of the 60s. Clapton, Page, Beck & Hendrix all took a cue & a few licks from Buddy Guy!

In this tutorial you will learn to apply sweep picking technique to some basic chord progressions in a blues and jazz style setting using major and minor chord tones and scale notes.