This song features one acoustic guitar tuned a full step down from standard tuning. Any acoustic guitar can be used to play this song. This song uses open and barre chords, chord arpeggiation, 3/4 time, and dynamics.

There are 2 clean electric guitar layers in this song. Guitar 1 plays lower single note lines and chords while Guitar 2 plays upper string melody lines and chord stabs. Both guitars are carefully crafted and interlocking, and stay very active throughout the tune with a mix of staccato chords with quick changes, steady strums, and single note lines connecting the changes and sections. There is a lot to learn in this song from both parts!

There are 2 guitars in this song. Guitar 1 is an acoustic guitar that strums the chord progressions throughout. Guitar 2 is a clean electric guitar that adds a twangy solo to the arrangement. This song uses open chords and barre chords, steady strumming approaches, and some textbook early rock licks.

There are 2 clean electric guitars in this song. Guitar 1 plays the rhythm riffs throughout the tune, while Guitar 2 is a clean guitar that plays licks in the intro and solo sections. This song uses bluesy rhythm riffing, a triplet swing groove, and some simple blues leads.

There’s no guitar part in the original version of this song, so we’re going to use an acoustic guitar to strum along with the band in a made easy format. We’ll outline the simple chord progression in C major and have fun doing it! We are also including a bonus lesson that shows how to mimic the piano intro riff on guitar. This song uses open chords and barre chords, a simple strumming pattern, and dynamics.

There is 1 clean electric guitar in this song that strums the progressions with slight embellishments throughout. This song uses triads, chord arpeggiations and embellishments, staccato strums, and a 6/8 groove.

In this tutorial we will learn a solo classical guitar arrangement of one of Tchaikovsky's themes from his 'Swan Lake' ballet score.

There is one guitar in this song that alternates between quiet verses with a clean sound and loud choruses with an overdriven sound. This song uses power chords, arpeggiation, aggressive strumming and dynamics.

There are 2 electric guitars in this song. Guitar 1 is tuned to open D tuning and strums the rhythm riffs throughout. Guitar 2 is the lead guitar that adds plenty of licks to the tune. This song uses open D chord shapes and embellishments, and some killer bluesy licks.

There are 2 electric guitars in this song. Guitar 1 plays the rhythm riffs throughout, while Guitar 2 handles the iconic boogie rock lead solos. This song uses an eighth note shuffle feel, diads and power chords, hybrid picking, dynamics, pinch harmonics, and some killer blues-rock soloing approaches.

There are 2 acoustic guitars in this song. Guitar 1 strums the chord progressions, while Guitar 2 adds chord arpeggiation and embellishments throughout. Any acoustic guitar can be used to play this song, but one with a brighter tone will help cut through the mix a bit better. Also, a capo is needed on the first fret to strum the chord progressions. This song uses open chords, steady strumming approaches, and chord arpeggiation.

There are 2 electric guitars in this song. Guitar 1 is the main electric guitar that plays both rhythm and lead, while Guitar 2 strums the progressions throughout. This song uses open and barre chords, steady strum approaches with an 8th note swing, hybrid picking, and lead guitar based on chord shapes.

There are 3 electric guitars in this song. Guitar 1 is the main rhythm guitar that plays iconic riffs throughout. Guitar 2 is the lead guitar that digs into plenty of melodic solos, while Guitar 3 is a clean electric guitar that adds another great texture in the verse, while adding more rhythm guitar muscle in the chorus. This song uses arpeggiated riffing, open chords, boogie diad riffing, palm muting, tasty melodic leads, and dynamics.

This is a two guitar arrangement of this classic jazz song. Guitar 1 is a rhythm guitar part playing the chord progression. Guitar 2 is a lead guitar part playing the single note melody of the song. Guitar 2 also plays a solo that is based on the melody with embellishments. This is a great opportunity to learn how to use some extended harmony chords in a song setting, how to learn to embellish a melody with some typical lead guitar vocabulary in an early jazz style.

This early 90s grunge classic that features one electric guitar playing rhythm riffs and a simple lead. The guitar uses a clean sound up to the solo, then switches to an overdriven tone for the rest of the tune. This song uses open chords and power chords, a solid strummed approach, and some simple pentatonic based leads.

There are 2 guitars in this song. Guitar 1 is a fuzz electric guitar that plays riffs and leads throughout. Guitar 2 is clean electric guitar that adds chord strums. This song uses single note riffing, open chords, aggressive strumming, an 8th note triplet swing groove, dynamics, and searing lead approaches.

Niccolo Paganini (1782-1840) was a brilliant violin virtuoso from the Classical Era. He wrote a group of 24 pieces called caprices for solo violin. He wrote these pieces as showcases for his amazing technique. In this tutorial series we are going to learn a classical guitar arrangement of the theme from the last of Paganini's Caprices, the 24th. It's a very simple melody in two parts. But this simplicity lends itself easily to Paganini's astounding variations on this simple theme. This arrangement has three variations on the theme: single note melody, two voice counterpoint and arpeggiated chords.

There is 1 clean electric guitar in this tune, playing single note R&B lines and double stop riffs. This song uses single note R&B lines, double stop riffing, and playing with a 6/8 groove.

There is 1 clean electric guitar in this tune, playing R&B style chords, lines, and fills. This songs uses double stops, staccato backbeat stabs, and some textbook R&B style rhythm guitar approaches.

In this tutorial we'll learn an easy solo classical guitar arrangement of the theme from Franz Joseph Haydn's 'Surprise' Symphony.