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Joe Pass Style Series 3
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This time I don't stop at one octave. I just keep on walking all the way up the fretboard! I eventually wind up covering two full octaves of bassline with the G major scale including the minor 7th as a passing tone along with the G7 chord tones making complete inversions.
Finally I show that this idea is equally applicable to other root notes and thus others chords. The example I give is to root a C7 on the A string and show how to achieve the same type of Drop 2 chord voicings, bassline and motion.
I find it quite easy (so far!) to navigate, and found the "where do I start" to be very helpful! I'm getting there!!
I LOVE the forum, too. I've never been one to use forums, but the GT forum is full of great people and helpful information at ALL levels! Congrats on a WONDERFUL site!!Good job!