Yeah I don't know what I was talking about. In general... I didn't have the terminology right or really a clue. Takes practice is the bottom line. I guess initially I meant to say that if you're playing a whole slew of notes in a run or phrase, certain notes have to be emphasized (accented, whatever) in order for it go smoothly. To which you guys say yes and no, depending on...

Well, consider that 2nd example. You could start that anywhere in the measure, right, and if they're groups of triplet sixteenths you'd want to emphasize the first C and then the F# on the A string (right after I said where the pattern ended). It doesn't matter if the accented notes in the riff land on the T.S. pulses, right?

That's going to be thick to read and I've got to go just now or I'd clean it up. I'll do it later.