http://www.angelfire.com/vamp/murad/sweep_picking.WMV
There is a video that a guy called NeoClassic posted on this forum a while back. Just so you can see whats actually going on. Hopefully you will understand what i have explained after watching it.
Have a look on the search on this forum... a lot of people have talked about sweep picking before.
E-------12-15-12------------
B----13----------13---------
G-12----------------12------
D---------------------------
B---------------------------
E---------------------------
There's a small 3 string from a C major arpegio. You can hammer on and pull of fret 15 when you get to the High E string of you want. Or you can pick it. Usually i find using the hammer on and pull off technique faster.
E------------12-15-12------------
B---------13----------13---------
G------12----------------12------
D----14---------------------14---
A-15---------------------------15
E--------------------------------
Here is an extended version of that last sweeping patern. The same rules apply for this as before. I chose this sweep because i think its one of the easiest shapes to learn. There are many more shapes that are similar to this but still you will apply similar techniques. Just remember to keep down picking then up.
Another shape to practice is this one :
E------------15-12-------------
B---------14-------13----------
G------13-------------14-------
D----12------------------15----
A------------------------------
E------------------------------
You might find this one even more easy. This is just good for getting your picking hand in time with your fretting hand. You can move up and down the fretboard with any of these shapes. I got this one off the petrucci dvd :)
Maybe you knew some of what i've said already but i hope it helps you and has answered your question well.
At least now if anyone else has any sweeping questions they can be directed to this thread !
By virtue of their electrical properties, tubes generate a special waveform when they're saturated, which is why tube engineering has tremendous tonal advantages over solid state or DSP solutions, particularly for crunch and lead sounds. Tubes enter the saturation zone gradually or softly, which lends tube-driven tone its trademark yet totally unique character.