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JeremyRodriguez
Registered User
Joined: 11/23/13
Posts: 76
JeremyRodriguez
Registered User
Joined: 11/23/13
Posts: 76
03/05/2016 3:01 am
Secondary dominants are quite crazy to understand at first. But they definitely add so much more variety to songs. There's nothing like listening to D major, then hearing a B7/D# leading into that E minor to A7 back into a D major 7!

Even crazier than that would be D - B7/D# - E min - Eb7 - Dmaj7! The Eb is a tritone substitution of A if anybody is wondering why I put that there. Really cool technique I'd be down to explain on another thread, although I'm sure Christopher is the man with theory who could probably explain it much better!

Really awesome thread. Thanks for posting this!
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