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Kasperow
Registered User
Joined: 10/09/12
Posts: 693
Kasperow
Registered User
Joined: 10/09/12
Posts: 693
03/12/2014 8:25 am
Yeah, I've read a bit about those. It's pretty much where you just let a company handle the distribution of a record, in exchange for a small fee. I can see lots of advantages to having a Distribution Deal, unlike the Record Deal itself. Still, it's more important for me to just find out if our styles are compatible.

I'll try recording the thing, and then cut out the small-talk in between the jamming. The most important part of the recording is the music, in my opinion, not some people talking between two jams.
"Commit yourself to what you love, and things will happen."
- Mika Vandborg, Electric Guitars, "Follow Your Heart"
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Gear:
Chateau PS-10 Cherry Power-Strat
Epiphone G-400 LTD 1966 Faded Worn Cherry
Epiphone Les Paul 100 Ebony (w/ Oil City Pickups Scrapyard Dog PLUS pickups)
Epiphone ES-345 Cherry
Fender 2014 Standard Stratocaster Sunburst
Martin DX1K Acoustic
Fender Mustang II Amplifier
Jet City Amplification JCA22H Tube-head and JCA12S+ cabinet
Pedals...