Originally Posted by: CSchlegelThe ability to play scales, chords, riffs, songs, anything evenly in time with good rhythm is fundamental.
At this point, I encourage you to stop focusing or worrying about learning theory & different scale patterns & such. You need to focus on the getting the physical mechanics of playing right.
You need to be able to play any given progression or assortment of open chords or barre chords in time consistently. As far as scales, pick ONE, simple scale pattern from GF2 scale practice. Drill it slowly and in time until you can play it without fail or hesitation.[/QUOTE]
Alright. I'll try that until I can play the scales flawlessly.
[QUOTE=CSchlegel]You've heard it 1,000s of times. :) It is a very generic, stereotypical chord progression that ha been used for many, many songs.
C (I) - Am (vi) - F (IV) - G (V)
"one, six, four, five"
It's the basis of Stand By Me, Stay, Last Kiss (Oh Where Can My Baby Be?), & lots of others. :)
So that's where I've heard it before... It did sound a bit like the chords for Stand By Me, but the rhythm was off, so I couldn't place where I've heard it.
"Commit yourself to what you love, and things will happen."
- Mika Vandborg, Electric Guitars, "Follow Your Heart"
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Gear:
Chateau PS-10 Cherry Power-Strat
Epiphone G-400 LTD 1966 Faded Worn Cherry
Epiphone Les Paul 100 Ebony (w/ Oil City Pickups Scrapyard Dog PLUS pickups)
Epiphone ES-345 Cherry
Fender 2014 Standard Stratocaster Sunburst
Martin DX1K Acoustic
Fender Mustang II Amplifier
Jet City Amplification JCA22H Tube-head and JCA12S+ cabinet
Pedals...
- Mika Vandborg, Electric Guitars, "Follow Your Heart"
---
Gear:
Chateau PS-10 Cherry Power-Strat
Epiphone G-400 LTD 1966 Faded Worn Cherry
Epiphone Les Paul 100 Ebony (w/ Oil City Pickups Scrapyard Dog PLUS pickups)
Epiphone ES-345 Cherry
Fender 2014 Standard Stratocaster Sunburst
Martin DX1K Acoustic
Fender Mustang II Amplifier
Jet City Amplification JCA22H Tube-head and JCA12S+ cabinet
Pedals...