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JeffS65
Registered User
Joined: 10/07/08
Posts: 1,602
JeffS65
Registered User
Joined: 10/07/08
Posts: 1,602
09/11/2012 2:57 pm
In playing acoustic stuff, I find that I need that open high E to ring out to give the strummed A a real ring to it.

Hand position as it relates to the fret board:
If I'm not mistaken, classical guitar players are trained to be sure that their hand position/fingers are parallel with the frets and with the thumb tip only touching the back/round of the neck.

This allows for more 'slack' for the fingers to fret complex patterns and notes.

I typical rock guy (take Jimmy Page) will grip the neck in more of a 'bat' style and the hand and fingers are at a slight angle in relation to the frets.

Why mention this?

Worth trying...

As guitar players, we all have physical limitations we have to work around. Even the greats.

I don't have Steve Vai's long digits so I have to find ways of fretting different than him. I have a stubborn pinky that does not like speedy, ascending 1-3-4 patterns. Just doesn't. No matter how much I practiced.

So I found a way to work around it. 1-3-4 but with my other three fingers or I do a small legato slide up '1-3-slide 4'. Gives it a little flavor too.

Some times these thing make your style.

I always felt dumb because my pinky was a rogue finger...Then I read that Brian May almost never uses his pinky and I love his playing.

Sometimes the deficits can work out for you because you have to find a way around it.