Ok. Yup, Cmaj7 would keep it in minor, and slapping a b5 on the F# would do the same. Then you just have the change to harmonic for the B7. Not bad. It sounds kinda latin.
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View threadOk. Yup, Cmaj7 would keep it in minor, and slapping a b5 on the F# would do the same. Then you just have the change to harmonic for the B7. Not bad. It sounds kinda latin.