Originally Posted by: caponi14...i completely stops after the first new little detail i am not used to, like i can't get both my fingers and my head to improvise any more :confused: . [/QUOTE]

I get that, too. For me, I need to practice that transition into the new part, not the individual parts. For example: Even just moving from a hammer on/pull off on the 1st e string to a HO/PO on the B right in a row is something I had to practice. It was easy to do the move on either string, but one after the other was hard. It's all finger memory, whether it's something simple like that, or somethign more difficult. If you need to take time to think, you are lost! (IMO anyway :) )

Originally Posted by: caponi14
And the ''new'' stuff that i try to put in, does not even seem to fit in soundwise, even though it's notes in the scale? Im so used to the pentatonic and the blues scale that i can hardly solo in other scales.

LOL I get that, too! I practiced basic pentatonics for so long that when I finally started adding some flat 5th for some basic blues-iness it sounded all wrong! But after a bit, my ears got used to it. Anytime I add something new, it can souond weird until I get used to it. If you play some of those less common scales (mixolydian, etc) they can sound pretty messed up, but they are valid. I think it's just a lot of getting used to a new sound after practicing a single sound for so long.

[QUOTE=caponi14]
And i have a hard time moving from places to places on the fretboard, can this be fixed?

When you practice your pentatonics, are you staying in one position? If so, you should try moving from one box to the next, up and down, using different strings (you know, mix it up). These link me all over the place, anywhere I want to go. :) Throw in some hammer on's & pull off's along the way and your pulling wicked solos just getting from one place to another!