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sarinaj
Registered User
Joined: 11/16/07
Posts: 27
sarinaj
Registered User
Joined: 11/16/07
Posts: 27
11/20/2007 7:44 pm
Applying modal theory requires associating different keys to be of any use to me. If I am considering modes of G, I am seeking different key signatures, starting from our G note.

G Ionian contains the same notes as G Major: G A B C D E F#

G Dorian contains the same notes as F Major: G A Bb C D E F

G Phrygian contains the same notes as Eb Major: G Ab Bb C D Eb F

G Lydian contains the same notes as D Major: G A B C# D E F#

G Mixolydian contains the same notes as C Major: G A B C D E F

G Aolian contains the same notes as Bb Major: G A Bb C D Eb F

G Locrian contains the same notes as Ab Major: G Ab Bb C Db Eb F

From this point can we choose the appropriate substitute key (or mode), to play over a given chord or piece of music. Comparing each mode to the Ionian mode will reveal the notes that have been changed:

Dorian gives us the lowered 3rd and 7th.

Phrygian gives us a lowered 2nd, 3rd, 6th and 7th.

Lydian gives us a raised 4th.

Mixolydian gives us a lowered 7th.

Aolian gives us a lowered 3rd, 6th and 7th.

Locrian gives us a lowered 2nd, 3rd, 5th, 6th and 7th.

Using this information requires some understanding of chord structure. For instance, a minor7 chord and a dominant 7 chord have lowered 7ths. A minor 7 chord has a lowered 3rd, as well. Therefore, we can determine from above that Dorian will be a good substitution over a minor 7 chord and Mixolydian for a Dominant 7 chord.

Perhaps this will start a dialogue on uses for modes.
Here's a good link I found: http://www.guitar9.com/columnist344.html

Cheers,
SarinaJ :)