Originally Posted by: acapella rapemeHey Brendon, you posted my song! Did you know that? I can't wait to get it on the listening posts, I bet these fellow forumers will love it!

Acapella Rapeme...

Ok...I'll acapella rape you, I guess...

100bpm 4/4 time

Octave beneath middle C, Basses start on the A beneath that.
"Weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeelll"
Hold that for three measures

Baritones, above, starting on C# begin in the second measure and hold for two measures
"weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeellllll"

Tenors, once more, above, starting on the E beneath middle C, beging in the third measure singing a whole note
"weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeellllll"

Rest a measure

Basses starting on the same A

Don't you go awaaaaaayyyyyy

"Don't you go" and the first syllable of "away" are quarter notes going A B C# D

the second syllable of "away" is made up of three slurring notes, the first of which is a dotted quarter note, followed by an eigth note, followed by a half note. The tone, in the bass, is a D for the dotted quarter, D# for the eigth, and E for the half.

simultaneously

Baritones

Don't you go away!

Same pattern in the baritones, only the notes are C#-D-Fnat-F#

Second half of "away" will be F# held in a half note which then moves to a G# half note.

But, half the baritones will sing (instead of the F# half note) an F# dotted quarter note followed by an A eighth note down to the G# half note.

Tenors, boom, during all this will go

Don't you go away!
C#-B-A-A-G#-A

The "A-G#-A" are an eighth note triplet

Then followed by the second half of "away"
D for dotted quarter note above the A, then to C an eighth note and down to B for another half note

Then, Tenors
Or I'll rape you!
D-C#-B-A

All half notes, retardando to 50 bpm over the four measures

Simultaneously Baritones

C#-G#-B-A

And Basses

F#-E-D-C#

There ya go, a fancy schmancy acapella rape song.