thats really cool, basically what i meant was as you started on G it was interesting that you chose a b note to end the run on, as this is one of the chord tones/notes that make up the g chord, leaving the run sounding here against your chord progression gives this a dynamic of tension in the sound, thats why i think it is interesting. Lots of folk just learn to do a run from say a low E in the pentatonic scale to a high E, which I find pretty boring, cause most peoles examples have no melodic content or relationship specific to any progressions but your run does mate so well done.oh and thanks for the advice.