does any boddy know some chords that sound good together???

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in honner of smashing cupcake
middle man

i don't know what your situation is, but believe it or not... a bit of knowledge of theory helps quite a lot before getting your chords together for a song. Depends what type you're after and if you're singin it, what your vocal range is cause you gotta know what key your song is in... Commonly used $hit: if you're in C major use chords like C, Dm, Em, F, G, Am and Bdim and vary them... chuck in some hammer ons and pull offs (which will in most cases turn them into some sort of a sus chord) and you've got yourself a very basic rythem to start with.
G major's also real common. Use chords like: G, Am, Bm, C, D, Em, #Fdim.
Cheers

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*I'll pour my soul, but drain my heart*

What do you mean by a Bdim chord?

Cheers
JE

While it is good to learn theory, you can also jam without any knowledge of it. Here's a few easy ones:

G-D-C: Knockin' on Heaven's Door
G-D-Em-C: All I Can Do is Write it in a Song (Skynard)
C-G-D-A-E: Hey Joe

I also like playing D-Em over and over with an occasional C or G mixed in. A-D sounds good too--throw in an occasional E and you've got a three chord rock/folk song.

Oh, and don't forget the versatile combination of C-Am-F-G (Pink Floyd's "Thin Ice" and Dwight Yokum's "Thousand Miles from Nowhere" and Tom Waits' "Cold Cold Ground"). All these songs start with a few bars of C-Am, then go to a C-F-G progression, then resolve back to the C-Am.

Then there's E-A-B, blues progressions. Try playing E-A, E-A, E-B-E. I like playin' the blues like this, too: A-A-A-A, D-D, A-A, E-D-A-E, repeat. You get the picture. The combinations are endless. Make up your own. Have fun!

DC

[Edited by David C on 07-17-2002 at 08:54 AM]

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"It's all right son . . . we told you what to dream"

Yeah, I'd agree with David! Although after a while I got around to learning theory, I mostly jam in the keys of D or G, and know which chords I can go for in those keys.

However, I recently picked up a CD of the Jam, and Paul Weller, who writes most of their material, doesn'r seem to listen to any of the 'theory' behind music. He has some really crazy chord sequences!

But yeah, I've begun to write songs now, and I try to avoid the normal patterns of G C and D, cos you just end up with unoriginal melodies.

JE

well yeah, that's exactly it... the only reason i got all technical and talked about keys (and modes are good to know too) is that most songs that play the same 4 chords over and over (especially if they're open chords) don't sound all that different to others. Though if that's all you're up to, play around with your strumming or picking and come up with a different rythem. It'll make the song sound a lil more original. If you like your G chord, or D chord or whatever... try finding other places on the neck of the guitar to play them, slide them around, use octaves... there's heaps of ways to make a simple chord progression sound slightly intersting.

What i meant by Bdim was a B diminished chord. Diminished chords can sound great in the right song, but they're usually a bugger to play.

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*I'll pour my soul, but drain my heart*

Hey, if you know your scales, you can figure out the chords for any key signature. Hell, half the time I'll play a chord and mess around with it untill I get a chord like Am13sus4#11 or something. Thats were theory has come in handy for me. If I dont know a chord, I can easely figure out what its called by jotting down a couple octaves of a scale and doin some paperwork.

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And God said, 'Let there be rock!'
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